Walter Benjamin: The Work of Art in the Age of Its Technological Reproducibility (1936-) [FR, DE, CZ, RU, SK, ES, PT, EN]

“Benjamin‘s famous ‘Work of Art’ essay sets out his boldest thoughts–on media and on culture in general–in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.

This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin’s explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.

This book contains the second, and most daring, of the four versions of the ‘Work of Art’ essay–the one that addresses the utopian developments of the modern media. The collection tracks Benjamin’s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin’s best-known work alongside fascinating, little-known essays–some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin’s media theory can be fully appreciated.”

Edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin
Translated by Edmund Jephcott, Rodney Livingstone, Howard Eiland, and others
Publisher The Belknap Press of Harvard University Press, Cambridge/MA and London, 2008
ISBN 0674024451, 9780674024458
448 pages

Wikipedia (EN)

The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (English, 2008, updated on 2019-12-9)

Versions and translations of the essay “Work of Art..”:
L’œuvre d’art à l’époque de sa reproduction méchanisée (French, trans. Pierre Klossowski, 1936, updated on 2013-1-12)
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (German, 1963, added on 2014-3-10)
Umělecké dílo v době své technické reprodukovatelnosti (Czech, trans. Věra Saudková, 1979, added on 2014-3-10)
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. Dritte Fassung (German, 1980, added on 2014-3-10)
Proizvedenie iskusstva v epokhu ego tekhnicheskoy vosproizvodimosti. Izbrannye esse (Russian, trans. S.A. Romashko, 1996, added on 2013-1-12)
Umelecké dielo v epoche svojej technickej reprodukovateľnosti (Slovak, trans. Adam Bžoch, 1999, added on 2014-3-10)
La obra de arte en la época de su reproductibilidad técnica. Urtext (Spanish, trans. Andrés E. Weikert, 2003, added on 2014-3-10)
A obra de arte na época da sua possibilidade de reprodução técnica. 3ª versão (Portuguese, trans. João Barrento, 2006, added on 2014-3-10)

For more versions of the essay see Benjamin’s bibliography on Monoskop wiki.

Marshall McLuhan, Quentin Fiore: The Medium is the Massage: An Inventory of Effects (1967–) [EN, ES, PT]

“Marshall McLuhan is the man who predicted the all­-pervasive rise of the modern mass media. Blending text, image and photography, his 1960s classic The Medium is the Massage illustrates how the growth of tech no logy utterly reshapes society, personal lives and sensory perceptions, so that we are effectively shaped by the means we use to communicate. This concept, and his ideas such as rolling, up-to-the-minute news broadcasts and the media ‘global village’, have proved decades ahead of their time.” (from the back cover)

Originally published in 1967 by Bantam Books
Produced by Jerome Agel
Publisher Penguin, 2008
ISBN 9780141035826
159 pages

Wikipedia

The Medium is the Massage (English, 1967/2008, 10 MB, updated on 2017-4-24)
El medio es el masaje (Spanish, trans. León Mirlas, 1969, 10 MB, added on 2015-1-8)
O meio são as massa-gens (Portuguese, trans. Ivan Pedro de Martins, 1969, 16 MB, added on 2015-1-8)