kuda.org (eds.): bitomatik: Art Practice in the Time of Information/Media Domination (2004) [English/Serbian]

“bitomatik is a collection of texts, transcripts of lectures held at the New Media Center kuda.org between 2001 and 2004. The texts describe models of comtemporary artistic production which use different media as a means of expression. Drawing on the activist-artistic practice of Novi Sad in the sixties and seventies, a period of the neo-avant garde, the kuda.org Center has examined those phenomena containing an interdisciplinary and cross-media character. From the very outset, kuda.lounge has been a platform for discussion, argumentation, dialog and the contextualization of artistic practice, in the framework of which more than fifty presentations, lectures and workshops have been organized. Particular attention has been paid to communication and the exchange of ideas, primarily owing to the fact that the arts’ scene in Serbia during the nineties developed within a context of what is often called ‘Art in a Closed Society’, which resulted in a syndrome of self-referential artistic production. The Internet and the development of communication technologies formed the electronic backbone of social movements in the late nineties and the early part of this new century, and at the same time connected a smaller circle of Novi Sad artists (the Absolutely Association, Andrej Tišma, the Videomedia festival) which in spite of the odds established contact with the international scene, and brought members of this network to present their work in Novi Sad. International mailing lists such as Nettime, Syndicate and Spectre played a central role in this communication.

In inviting key names in media art and theory, kuda.org has attempted to offer the local public an insight into international contemporary artistic practise. The local population has had a chance to familiarize themselves with the work of leading international and local artists, theoreticians and arts’ groups such as Critical Art Ensemble, Bureau d’Etudes, Armin Medosch, and Inke Arns. Lectures and presentations within the framework of kuda.lounge are orientated towards researching new media related to social activism, media theory, and conceptual art, new-media “genres” such as net.art, software art, interactive art and generative art are explored .

The question of the so-called new media is quantitively identical to problems dealt with by the neo-avant-garde of the sixties and seventies, which conducted experiments with installations and video and electronic sound. These problems deal with the question of the relationship between medium and content, i.e. what’s new in new media. Media research is the history of researching communcation and extroversion and in itself simultaneously bears the political, seeking channels to address the masses and send a message. The avant-garde’s aspiration to penetrate society, to reach ground zero, and lead it in the utopian project of creating a fair society is closely connected to media research. The contents of this collection present different research and experiments in new media and a kind of manifestation of the artistic avant-garde at the close of the 20th century and the dawn of the 21st century.

These two elements; society as an object of intervention by an artistic project, and media research via which this intervention is to be carried out, are the basis of this collection of texts. This publication brings a cycle integrating debates and discussions on contemporary artistic practice to a close, and in a print medium presents them to a wider public.”

Contributions by Eric Kluitenberg, Darko Fritz, Armin Medosch, Inke Arns, Critical Art Ensemble, Bureau d’Etudes, and Raqs Media Collective.

Serbian title: bitomatik: Umetnička praksa u vreme informacijske/medijske dominacije
Publisher: Futura publikacije, Novi Sad, 2004
kuda.read series, 2
Creative Commons BY-NC-SA 1.0 License
ISBN 8671880273
168 pages

Publisher

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kuda.org (eds.): divanik: Conversations and Interviews about Media Art, Culture and Society (2004) [English/Serbian]

“divanik is a collection of interviews conducted in the period from 2001 to 2004 which represents intersection of research in the field of new technologies, culture and society. Interviews present network of people and organizations that make one part of the contemporary media art and theory scene. New media center_kuda.org monitored those phenomena that have interdisciplinary and intermedial character, and by inviting the significant protagonists in media art and theory the intention was to give to the local public an insight at the happenings in this field.

Research of the media is the research of the history of communication, and communication today is a bio-product of the information age, exchange of valuables in the capitalist coordinate system in which the concepts and ideas are treated as meaningful goods and products. On the other hand communication is also a tool that changes the same coordinate system.

As a communication practice the phenomenon of the interview is immanent to Internet culture. Interview represents concise form of communication and it is a useful instrument in the scientific work as meta-text that follows complex theory or artwork. In the interviews authors present contexts in which they were creating and their points of view and this direct communication through the actual questions presents real-time articulated energetic potential. That is also a chance to analyze and restructure certain topics in the form that couldn’t occur in theoretic and artistic work. Interview is a sublimation of different aspects, overlapping and interdisciplinarity that at a given moment presents unique thinking system.

The development of information and communication technologies also brought along new social ontology that is manifested in the social, political and culture field. Instantaneity of history, accumulation and pace of technological development stipulates momentary reaction and critical analysis.

The goal of these interviews is to critically analyze and present to the wider audience certain art and socio-political phenomena. Within the kuda.read edition the accent is put on pointing out to the expanded referential system inside the new media and culture that spreads from the marginal social practice to academic theory and scientific research.”

Includes interviews with Geert Lovink, Raqs Media Collective, Saskia Sassen, Marcus Neustetter, Bureau d’Etudes, Marina Grzinic, Cindy Cohn, and Steve Kurtz.

Serbian title: divanik: Razgovori o medijskoj umetnosti, kulturi i društvu
Publisher Daniel print, Novi Sad
kuda.read series, 003
Creative Commons Attribution-NonCommercial-ShareAlike 1.0 License
ISBN 8690621105
123 pages

Editors

PDF, PDF (updated on 2018-6-17)

Radical Education Collective (eds.): New Public Spaces: Dissensual Political and Artistic Practices in the Post-Yugoslav Context (2009)

New public spaces: dissensual political and aesthetical practices in the post-Yugoslav context is a reader edited by a Radical Education Collective from Ljubljana (Gal Kirn, Gasper Kralj and Bojana Piskur). It drew its inspiration from encounters and conversations with activists, artists, critical thinkers, curators, militant researchers and writers from Belgrade, Helsinki, Istanbul, Ljubljana, London, Pristina and Prizren in April and May 2008 at the social centre ROG and the AKC Metelkova mesto in Ljubljana. Those encounters challenged not only the distinction between ‘serious’ discussions and ‘informal’ debates – that instantly reproduce linear time and hierarchical space – but also our mutual ability to listen, talk and share experiences (instead of consume information). Contributions were subsequently elaborated into the reader, which consists of two parts. In the first part, engaged collectives reflect on the organisation of different political issues: from anti-capitalist and student struggles, to immigrant workers and the re-appropriation of public spaces in the region. The second part focuses on specific art collectives from Kosovo and Ljubljana, which are occupied with the question of space: why was space so important when rethinking the relation between art and politics, and also what can one do with the space? Here, a set of political practices enabled art collective to undermine the presupposed liberal border between public and private. The reader concludes with a presentation of some art projects that intervened and articulated spatial and visual transformations in the post-Yugoslav context.

Authors and contributors: Barbara Beznec, Sezgin Boynik, Ibrahim Ćurić, Cornelia Durka, Janna Graham, Minna Henriksson, Gal Kirn, Gašper Kralj, Andreja Kulunčić, Andrej Kurnik, Polona Mozetič, Said Mujić, Osman Pezić, Bojana Piškur, Marjetica Potrč, Tjaša Pureber, Radical Education Collective, TEMP, Darij Zadnikar, Antonios Vradis

Edited and compiled by: Gal Kirn, Gašper Kralj, Bojana Piškur
Published by Jan van Eyck Academie, Maastricht (NL), Modern Galerija, Ljubljana / Museum of Modern Art, July 2009
ISBN 978–90–72076–87–8

Authors
Publishers

PDF (updated on 2025-1-24)
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