Umělec (1997–) [CZ, EN, DE, ES]

“Since its inception Umelec has remained the only international art magazine in English about contemporary visual culture in Central Europe and beyond. Umelec is dedicated to more focused regional or national issues, and always tries to bring to life the current social-cultural situation, including its more marginal aspects. We do not consider culture as a decoration of the state body, but as one of the most important inspiring values of life, even if it is radical or strange.” (from the publisher)

Publisher: Divus (Ivan Mečl), Prague/London/Berlin
Editor-in-chief: Palo Fabuš; formerly: Lenka Lindaurová and Vladan Šír, Jiří Ptáček, Alena Boika
Graphic design: Dita Lamačová; formerly: Dan Vlček, Ondřej Strnad, Jakub Němeček, Ivan Mečl

Issue 1/2012 (English, HTML), also in German, Czech.
Issue 2/2011 (English, HTML), also in German, Czech.
Issue 1/2011 (English, HTML), also in German, Czech.
Other issues (HTML), incl. Special issues: “Austrian” (2009–1, EN/CZ/DE), “Mexican” (2007–2, EN/CZ/DE/ES), “German” (2005–2, EN/CZ/DE), “Swiss” (2006–2, EN/CZ), “French” (2002–1, EN/CZ). The issues from 2005–3 up to 2009–1 were also published in Spanish.

Heresies: A Feminist Publication on Art and Politics, 1-27 (1977-1993)

Classic feminist art magazine from the 1970s through the 1990. Collectively produced issues featured a wide variety of artists’ work, essays, prose and poetry.

The founding members of the Heresies Collective included Patsy Beckert, Joan Braderman, Mary Beth Edelson, Elizabeth Hess, Harmony Hammond, Joyce Kozloff, Arlene Ladden, Lucy Lippard, Mary Miss, Marty Pottenger, Miriam Schapiro, Joan Snyder, May Stevens, Michelle Stuart, Susana Torre, Elizabeth Weatherford, and Sally Webster.

Publisher Heresies Collective, New York
ISSN 0146-3411
via Heresies PDF Archive

The Heretics, trailer of documentary film by Joan Braderman, 10 min, 2009
View article index

Heresies 1: Feminism, Art and Politics (Jan 1977)
Heresies 2: Patterns of Communication and Space Among Women (May 1977)
Heresies 3: Lesbian Art and Artists (Fall 1977)
Heresies 4: Women’s Traditional Arts – The Politics of Aesthetics (1978)
Heresies 5: The Great Goddess (1978)
Heresies 6: On Women and Violence (Summer 1978)
Heresies 7: Women Working Together (Spring 1979)
Heresies 8: Third World Women (1979)
Heresies 9: Organized Women Divided (1980)
Heresies 10: Women and Music (1980)
Heresies 11: Making Room – Women and Architecture (1981)
Heresies 12: Sex Issue (1981)
Heresies 13: Earthkeeping / Earthshaking: Feminism & Ecology (1981)
Heresies 14: The Women’s Pages (1982)
Heresies 15: Racism is the Issue (1982)
Heresies 16: Film / Video / Media (1983)
Heresies 17: Acting Up!: Women in Theater and Performance (1984)
Heresies 18: Mothers, Mags, and Movie Stars – Feminism and Class (1985)
Heresies 19: Satire (1985)
Heresies 20: Heresies (1985)
Heresies 21: Food is a Feminist Issue (1987)
Heresies 22: Art in Unestablished Channels (1987)
Heresies 23: Coming of Age (1988)
Heresies 24: 12 Years (Anniversary Issue) (1989)
Heresies 25: The Art of Education (1990)
Heresies 26: A Journal of Feminist Post-Totalitarian Criticism (1992)
Heresies 27: LATINA – A Journal of Ideas (1993)
Download all 27 issues (ZIP’d PDFs)

See also the exhibition catalogue En Foco / Heresies Collective, New York: The New Museum, 1983, 48 pp (added on 2018-12-30).

Colin MacCabe: Godard: Images, Sounds, Politics (1980)

Godard: Images, Sounds, Politics is an important step in making Godard’s experiments in image and sound beyond the institutions of cinema and television visible. It reads the earlier films through the more recent work, focusing on politics, technology and sexuality. These insistent themes dominate Godard’s investigation of our representation in the image, a representation always inflected by sound. These terms enable us to understand more critical the circulation of money and images in which we participate, a circulation which Godard’s work cuts across.” (from the back cover)

Includes essays by Colin MacCabe, Laura Mulvey, and Mick Eaton. Also features interviews with Godard, a filmography, and a selected bibliography. Printed in black-and-white.

With Mick Eaton and Laura Mulvey
Design Richard Hollis
Publisher The Macmillan Press, London and Basingstoke, 1980
British Film Institute Cinema series
ISBN 0333290739, 9780333290736
175 pages

review of the book’s design (Eye Magazine)

PDF