Benjamin Noys: The Persistence of the Negative: A Critique of Contemporary Continental Theory (2010)

The Persistence of the Negative offers an original and compelling critique of contemporary Continental theory through a rehabilitation of the negative. Against the usual image of rival thinkers and schools, Benjamin Noys identifies and attacks a shared consensus on the primacy of affirmation and the expelling of the negative that runs through the leading figures of contemporary theory: Jacques Derrida, Gilles Deleuze, Bruno Latour, Antonio Negri, and Alain Badiou.

While positioning the emergence of affirmative theory as a political response to the corrosive effects of contemporary capitalism, Noys argues that, all too often, affirmation is left re-affirming the conditions of the present rather than providing the means to disrupt and resist them.

Refusing to endorse an anti-theory position that would read theory as the symptom of political defeat, The Persistence of the Negative traverses these leading thinkers in a series of lucid readings to reveal the disavowed effects of negativity operating within their work.

Overturning the limits of recent debates on the politics of theory, The Persistence of the Negative vigorously defends the return of theory to its political calling.

Publisher Edinburgh University Press, 2010
ISBN 0748638636, 9780748638635
196 pages

review (Baylee Brits, Parrhesia)
review (Raphael Schlembach, Shift Magazine)

publisher
google books

PDF

Umberto Eco: The Open Work (1962–) [IT, PT, EN]

“Umberto Eco’s The Open Work remains significant for its concept of “openness”–the artist’s decision to leave arrangements of some constituents of a work to the public or to chance–and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.

This new English edition includes an introduction by David Robey that explores Eco’s thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco’s mentor Luigi Pareyson, on television and mass culture, and on the politics of art.”

First published in Italian as Opera aperta, 1962.

English edition
Translated by Anna Cancogni
With an Introduction by David Robey
Publisher Harvard University Press, 1989
ISBN 0674639766, 9780674639768
285 pages

Publisher

Opera aperta (Italian, 4th ed., 1962/1997, added on 2015-1-8)
Obra aberta (Portuguese, trans. Giovanni Cutolo, 8th ed., 1971/1991)
The Open Work (English, trans. Anna Cancogni, 1989)

Susan Buck-Morss: The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute (1977-) [English, Spanish]

Publisher The Free Press, a division of Macmillan Publishing, New York, 1977
ISBN 0029049105
352 pages

review (Gillian Rose, History and Theory)

google books (EN)
Susan Buck-Morss at Monoskop wiki

The Origin of Negative Dialectics (English, 1977)
Origen de la dialéctica negativa (Spanish, trans. Nora Rabotnikof Maskivker, 1981, no OCR)