Bogumiła Suwara, Zuzana Husárová (eds.): V sieti strednej Európy: nielen o elektronickej literatúre: (2012) [Slovak, Czech]

20 September 2012, dusan

(EN) This international collective monograph brings an understanding of the problematic of changes in artistic communication in the context of the cultural practices of the post-digital era and simultaneously asks new questions about it. This book presents the keystones of electronic literature research that are based, among others, on the digital character of the text, on multisensory reading, playfulness, hypermediality, experimentation and Internet communication. Its aim is also to map digital literature in the cultural environment of Central Europe. Researchers from Slovakia, The Czech Republic, Poland, Slovenia and Croatia collaborated on the publication. The monograph is a printed textual tapestry of various approaches, theories and perspectives that communicate among themselves, react to each other and together clarify the structure that literature personifies in the new media realm.

(SK) Kolektívna monografia prináša nové poznatky a zároveň kladie otázky o problematike zmien v umeleckej komunikácii v kontexte kultúry post-digitálnej doby. Prezentuje piliere výskumu elektronickej literatúry, ktoré okrem iného stoja na digitálnej podstate textu, na multisenzorickom čítaní, hravosti a hypermedialite, experimente a internetovej komunikácii. Cieľom je zároveň zmapovať recepciu digitálnej literatúry v kultúrnom prostredí strednej Európy. Na publikácii participovali bádatelia zo Slovenska, Čiech, Poľska, Slovinska a Chorvátska. Monografia je tlačenou textovou sieťou rôznych prístupov, teórií a hľadísk, ktoré vzájomne komunikujú, reagujú a spoločne dospievajú k osvetleniu štruktúry, ktorú literatúra v novo-mediálnom prostredí zosobňuje. 

Contributions by Zuzana Husárová, Jana Kuzmíková, Gabriela Magová, Mira Nabělková, Andrzej Pająk, Katarina Peović Vuković, Mariusz Pisarski, Michal Rehúš a Jaroslav Šrank, Janez Strehovec, Bogumiła Suwara, Jaroslav Švelch
Publisher: SAP & Ústav svetovej literatúry SAV, Bratislava, 2012
Design and cover: Katarína Gatialová
ISBN 9788080950767
312 pages

Quo vadis elektronická kultúra? (a series of activities around the publication, Bratislava, 26-27 September 2012)

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Peter Sloterdijk: Critique Of Cynical Reason (1983/1988)

19 September 2012, dusan

In 1983, two centuries after the publication of Kant’s Critique of Pure Reason, another philosophical treatise—polemical in nature, with a title that consciously and disrespectfully alludes to the earlier work—appeared in West Germany. Peter Sloterdijk’s Critique of Cynical Reason stirred both critical acclaim and consternation and attracted a wide readership, especially among those who had come of age in the 1960’s. Sloterdijk’s finds cynicism the dominant mode in contemporary culture, in personal institutional settings; his book is less a history of the impulse than an investigation of its role in the postmodern 1970s and 1980s, among those whose earlier hopes for social change had crumbled and faded away. Sloterdijk thus brings into cultural and political discourse an issue which, though central to the mood of a generation, has remained submerged throughout the current debate about modernity and postmodernity.

With Adorno and Horkeimer’s Dialectic of Enlightenment as his primary jumping-off point, Sloterdijk also draws upon, and contends with, the poststructuralist concepts of Deleuze and Guattari. He defines cynicism as enlightened false consciousness—a sensibility “well off and miserable at the same time,” able to function in the workaday world yet assailed by doubt and paralysis; and, as counterstrategy, proposes the cynicism of antiquity—the sensuality and loud, satiric laughter of Diogenes. Above all, Sloterdijk is determined to resist the amnesia inherent in cynicism. The twentieth-century German historical experience lies behind his work, which closes with a brilliant essay on the Weimar Republic—the fourteen years between a lost war and Hitler’s ascent to power, and a time when the cynical mode first achieved cultural dominance.

Originally published as Kritik der zynischen Vernunft, 2 vols, 1983 by Suhrkamp Verlag, Frankfurt am Main
Translated by Michael Eldred
Foreword by Andreas Huyssen
Publisher University of Minnesota Press, 1988
Volume 40 of Theory and History of Literature
ISBN 0816615861, 9780816615865
600 pages

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Speculations: Journal of Speculative Realism, No. 3 (2012)

16 September 2012, dusan

Speculations: A Journal of Speculative Realism is an open-access, peer-reviewed journal that provides a forum for the exploration of speculative realism and post-continental philosophy.

“This is a leviathan whale of an issue [510 pages!] comprising articles (by Benjamin Norris, Beatrice Marovich, Levi Bryant, Daniel Whistler, Daniel Colucciello Barber, Christopher Norris, and Michael Haworth), position papers (by Christian Thorne and Peter Wolfendale), translations (Graham Harman’s “On Vicarious Causation” into German, for example), reviews (of Levi Bryant’s The Democracy of Objects, Graham Harman’s Circus Philosophicus, Christopher Watkin’s Difficult Atheism, Andy Merrifield’s Magical Marxism, and Joseph Nechvatal’s nOise anusmOs installation), and an interview with Stathis Psillos. Those interested in the ongoing struggles to define exactly what Speculative Realism (SR) is, will want to read the translation of Louis Morelle’s comprehensive “Speculative Realism: After Infinitude and Beyond?” also included in this issue.” (publisher)

Editors: Michael Austin, Paul J. Ennis, Fabio Gironi, Thomas Gokey, Robert Jackson
Publisher punctum books, September 2012
Creative Commons license
ISBN 978-0988234017
510 pages

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