Media Theory 1(1): Manifestos (2017)
Filed under journal | Tags: · computing, machine, manifesto, media, media theory, theory

For this launch issue of the journal, editorial and advisory board members were invited to set out their own views on the importance of (a new journal of) media theory.
With contributions by W.J.T. Mitchell , Liam Cole Young, Scott McQuire, Terry Flew, Marc Steinberg, Raka Shome, David M. Berry, Ned Rossiter, Johan Soderberg, M. Beatrice Fazi, John W.P. Phillips, Mickey Vallee, Rob Shields, Jane Birkin, Sunil Manghani, Gary Hall, Christoph Raetzsch, and Sean Cubitt.
Edited by Simon Dawes
Published 22 October 2017
Creative Commons BY-NC-ND License
Hannah B. Higgins, Douglas Kahn (eds.): Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts (2012)
Filed under book | Tags: · art history, computer art, computing, history of computing, intermedia art

“Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of ‘computer art.’ Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.”
Publisher University of California Press, 2012
ISBN 9780520268371, 0520268377
xiv+362 pages
Reviews: Hubert Howe Flushing (Comp Music J, 2013), Rob Myers (Furtherfield, 2015).
Comment (0)Taeyoon Choi: Poetic Computation Reader (2017)
Filed under book | Tags: · code, computation, computing, pedagogy, poetics, software, technology

This online book discusses code as a form of poetry and aesthetic while raising ethical questions associated with it. It is based on Taeyoon Choi’s lectures at the School for Poetic Computation, an independent school he co-founded in New York City.
Edited by Hannah Son
Designed by HAWRAF
Published 2017