Lydia Pintscher (ed.): Open Advice: FOSS: What We Wish We Had Known When We Started (2012)

Open Advice is a knowledge collection from a wide variety of Free Software projects. It answers the question what 42 prominent contributors would have liked to know when they started so you can get a head-start no matter how and where you contribute.

Free Software projects are changing the software landscape in impressive ways with dedicated users and innovative management. Each person contributes something to the movement in their own way and to their abilities and knowledge. This personal commitment and the power of collaboration over the internet is what makes Free Software great and what brought the authors of this book together.

This book is the answer to “What would you have liked to know when you started contributing?”. The authors give insights into the many different talents it takes to make a successful software project, coding of course but also design, translation, marketing and other skills. We are here to give you a head start if you are new. And if you have been contributing for a while already, we are here to give you some insight into other areas and projects.

With contributions by Georg Greve, Armijn Hemel, Evan Prodromou, Markus Kroetzsch, Felipe Ortega, Leslie Hawthorn, Kevin Ottens, Lydia Pintscher, Jeff Mitchell, Austin Appel, Thiago Macieira, Henri Bergius, Kai Blin, Ara Pulido, Andre Klapper, Jonathan Leto, Atul Jha, Rich Bowen, Anne Gentle, Shaun McCance, Runa Bhattacharjee, Guillaume Paumier, Federico Mena Quintero, Mairin Duffy Strode, Eugene Trounev, Robert Kaye, Jono Bacon, Alexandra Leisse, Jonathan Riddell, Thom May, Vincent Untz, Stuart Jarvis, Jos Poortvliet, Sally Khudairi, Noirin Plunkett, Dave Neary, Gareth J. Greenaway, Selena Deckelmann, Till Adam, Frank Karlitschek, Carlo Daffara, Dr. Till Jaeger, Shane Couglan

Published in 2012
ISBN 978-1-105-51493-7
Creative Commons BY-SA License
310 pages

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Paul Graham: Hackers & Painters: Big Ideas from the Computer Age (2004)

We are living in the computer age, in a world increasingly designed and engineered by computer programmers and software designers, by people who call themselves hackers. Who are these people, what motivates them, and why should you care?

Consider these facts: Everything around us is turning into computers. Your typewriter is gone, replaced by a computer. Your phone has turned into a computer. So has your camera. Soon your TV will. Your car was not only designed on computers, but has more processing power in it than a room-sized mainframe did in 1970. Letters, encyclopedias, newspapers, and even your local store are being replaced by the Internet.

Hackers & Painters: Big Ideas from the Computer Age, by Paul Graham, explains this world and the motivations of the people who occupy it. In clear, thoughtful prose that draws on illuminating historical examples, Graham takes readers on an unflinching exploration into what he calls “an intellectual Wild West.”

The ideas discussed in this book will have a powerful and lasting impact on how we think, how we work, how we develop technology, and how we live. Topics include the importance of beauty in software design, how to make wealth, heresy and free speech, the programming language renaissance, the open-source movement, digital design, internet startups, and more.

Publisher O’Reilly Media, Inc., 2004
ISBN 0596006624, 9780596006624
258 pages

Review (Slashdot.org)

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Wendy Hui Kyong Chun: Programmed Visions: Software and Memory (2011)

“New media thrives on cycles of obsolescence and renewal: from celebrations of cyber-everything to Y2K, from the dot-com bust to the next big things–mobile mobs, Web 3.0, cloud computing. In Programmed Visions, Wendy Hui Kyong Chun argues that these cycles result in part from the ways in which new media encapsulates a logic of programmability. New media proliferates “programmed visions,” which seek to shape and predict–even embody–a future based on past data. These programmed visions have also made computers, based on metaphor, metaphors for metaphor itself, for a general logic of substitutability.

Chun approaches the concept of programmability through the surprising materialization of software as a “thing” in its own right, tracing the hardening of programming into software and of memory into storage. She argues that the clarity offered by software as metaphor should make us pause, because software also engenders a profound sense of ignorance: who knows what lurks behind our smiling interfaces, behind the objects we click and manipulate? The less we know, the more we are shown. This paradox, Chun argues, does not diminish new media’s power, but rather grounds computing’s appeal. Its combination of what can be seen and not seen, known (knowable) and not known–its separation of interface from algorithm and software from hardware–makes it a powerful metaphor for everything we believe is invisible yet generates visible, logical effects, from genetics to the invisible hand of the market, from ideology to culture.”

Publisher MIT Press, 2011
Software Studies series
ISBN 0262015420, 9780262015424
239 pages

Reviews: Jentery Sayers (Computational Culture, 2011), McKenzie Wark (Public Seminar, 2015).

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