Filed under catalogue | Tags: · art, cybernetics, electronic art, machine, media art, technology
Exhibition catalogue of one of the most important exhibitions of the 1960s dealing with art and technology. The show was held at The Museum of Modern Art, New York, November 25, 1968 – February 9, 1969. Its curator K.G. Pontus Hultén described it as a “collection of comments on technology by artists of the Western world,” particularly in the modern age when “the mechanical machine – which can most easily be defined as an imitation of our muscles – is losing its dominating position among the tools of mankind; while electronic and chemical devices – which imitate the processes of the brain and the nervous system – are becoming increasingly important.”
The exhibition traveled to University of St. Thomas, Houston, March 25 – May 18, 1969; San Francisco Museum of Art, San Francisco June 23 – August 24, 1969.
Publisher Museum of Modern Art, New York, 1968
PDF (53 MB, updated on 2016-9-23: pagination corrected, bookmarks and metadata added, file optimized, page 59 still missing)Comment (0)
Filed under magazine | Tags: · accelerationism, aesthetics, art, artificial intelligence, machine, politics, science fiction
“Through essays, pictorials and fiction, After Us hopes to look beyond the horizon, exploring developments in science and technology, new forms and expressions in art, and alternative political thinking. In print and online.”
Contents: Essays by Nora N. Khan on artificial superintelligence, Liam Young on architecture for machines, Nick Srnicek on neoliberalism and aestheticism, Benedict Singleton on modern film archetypes. Interview with Walter Murch by Dave Tompkins. Fiction by Juan Mateos. Art by Timothy Saccenti & Sam Rolfes, Lawrence Lek. Illustrations by Stathis Tsemberlidis, Adam Ferriss, Alex Solman, Patrick Savile.
Publisher Optigram, London, Sep 2015
See also Issue 2.Comments Off on After Us: Art—Science—Politics, 1 (2015) [English/Spanish]
Filed under book | Tags: · art, art theory, design, industrial design, machine, modernism
One of the most important texts promoting Modernism published in Britain. The layout was designed by former Bauhaus tutor Herbert Bayer. “In this text, the designer is portrayed as an abstract artist working in industry, reconciling elements of design such as materials, form, colour, and proportion with modern mass-production technology. Read felt that the designer should play a central role in modern manufacture, rather than the low-paid, subservient role that generally prevailed at the time.”
Publisher Faber and Faber, London, 1934
Reprint Harcourt, Brace and Company, New York, 1935
via Joseph Allen
PDF (146 MB, no OCR)Comment (0)