Filed under book | Tags: · 1990s, art, politics, protest, serbia, social movements, socially engaged art, war, yugoslavia
“In an extraordinary socio-political turmoil that shoved Yugoslavia into a war and complete international isolation during the 1990s, activity in culture and the arts was one of possible ways to survive and not be drowned in cataclysmic reality. Under those circumstances, in 1993 painter Nikola Džafo has found Led Art (Ice Art) group. Its projects bear the epithet of engaged art that resisted the regime of Slobodan Milosevic. Led Art gathered more than 300 individuals in close to fifty projects during the ten-year activity period: artists, sociologists, art historians, journalists, scientists. This book covers the activities of the group and the chronology of the social and political events in the former Yugoslavia.”
Translated by Goran Mimica and Svetozar Poštić
Publisher Multi-media center Led Art, Novi Sad, 2020
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Filed under catalogue | Tags: · 1990s, activism, art, civil society, migration, politics, serbia, trauma, war, yugoslavia
“The catalogue published to accompany an exhibition on the mass migrations of the population to and from Serbia over the course of the 1990s. The primary concern of the exhibition is to map the different forms of engagement, from the 1990s to the present, which have, in the field of art, activism and civil society, addressed social, cultural, political and legal issues created in these extremely complex and traumatic migration processes.”
Edited by Neda Knežević
Publisher Museum of Yugoslavia, Belgrade, 2019
Filed under book | Tags: · aesthetics, architecture, art, forensics, image, law, politics, theory, war
“Forensics originated from the term ‘forensis’ which is Latin for ‘pertaining to the forum.’ The Roman forum was a multidimensional space of negotiation and truth-finding in which humans as well as objects participated in politics, law, and the economy. With the advent of modernity, forensics shifted to refer exclusively to the courts of law and to the use of medicine, and today as a science in service to the law. The present use of forensics, along with its popular representations have become increasingly central to the modes by which states police and govern their subjects.
By returning to forensis this book seeks to unlock forensics’ original potential as a political practice and reorient it. Inverting the direction of the forensic gaze it designates a field of action in which individuals and organizations detect and confront state violations.
The condition of forensis is one in which new technologies for mediating the “testimony” of material objects—bones, ruins, toxic substances, landscapes, and the contemporary medias in which they are captured and represented—are mobilized in order to engage with struggles for justice, systemic violence, and environmental transformations across the frontiers of contemporary conflict.
This book presents the work of the architects, artists, filmmakers, lawyers, and theorists who participated directly in the “Forensic Architecture” project in the Centre for Research Architecture at Goldsmiths University of London, as well as the work of associates and guests. It includes forensic investigations undertaken by the project and its collaborators aimed at producing new kinds of evidence for use by international prosecutorial teams, political organizations, NGOs, and the UN. It also brings together research and essays that situate contemporary forensic practices within broader political, historical, and aesthetic discourse.”
With contributions by Lawrence Abu Hamdan, Nabil Ahmed, Maayan Amir, Hisham Ashkar & Emily Dische-Becker, Ryan Bishop, Jacob Burns, Howard Caygill, Gabriel Cuéllar, Eitan Diamond, DAAR (Decolonizing Architecture Art Residency), Anselm Franke, Grupa Spomenik, Ayesha Hameed, Charles Heller, Helene Kazan, Thomas Keenan, Steffen Krämer, Adrian Lahoud, Armin Linke, Jonathan Littell, Modelling Kivalina, Model Court, Working Group Four Faces of Omarska, Gerald Nestler, Godofredo Pereira, Nicola Perugini, Alessandro Petti, Lorenzo Pezzani, Cesare P. Romano, Susan Schuppli, Francesco Sebregondi, Michael Sfard, Shela Sheikh, SITU Research, Caroline Sturdy Colls, John Palmesino & Ann Sofi Ronnskog / Territorial Agency, Paulo Tavares, Füsun Türetken, Robert Jan van Pelt, Srdjan Jovanovic Weiss / NAO, Eyal Weizman, Ines Weizman, Chris Woods.
Publisher Sternberg Press, Berlin, and Forensic Architecture, London, 2014
ISBN 9783956790119, 3956790111
Reviews: Léopold Lambert (The New Inquiry, 2014), Martin Howse (Mute, 2014), Gaston Gordillo (Society and Space, 2015), John Beck (Radical Philosophy, 2015).
Exh. review: Harry Burke and Lucy Chinen (Rhizome, 2014).
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