Filed under artists publishing | Tags: · ceramics, display, electronic waste, screen
“The book combines an interview with Esther Leslie about Materialismo Mágico with documentation of my material exploration of what she refers as the Liquid Crystal Epoque. The book includes the recipes for LCD and Gorilla screen-glazes.”
Publisher Rojal, Gothenburg, 2018
Filed under book | Tags: · art, data, electronic waste, floss, free software, hacktivism, privacy
“The smart world. Created by policymakers, the advertising world, creative industries, and persuasive UX-designers that portray to us a world of shiny brand new technologies, apps that solve all our daily problems and smart cities collecting big data that will eventually solve all the problems of human kind. If we take a slightly more critical look at our smart world, though, our shiny gadgets become obsolete faster than ever, turning into toxic e-waste; our apps and smart cities have turned into an effective all-encompassing surveillance apparatus, and we have no idea who is collecting our data, who accesses it, and where it is stored. There may be issues that the smart world can solve, but at the same time, it raises new problems concerning data breaches, data privacy, data ownership and electronic waste. In this publication researchers and artists unfold some of these issues in three parts: Saving Data, Deleting Data and Resurfacing Data. Each part begins with theoretical texts that address some of the concerns, followed by strategies of artists and activists that expose problematic power structures.” (from the Introduction)
Essays by Fieke Jansen (Tactical Tech), Ivar Veermäe, Emilio Vavarella, Leo Selvaggio, Marloes de Valk, Research Team “Times of Waste”, Stefan Tiefengraber, Michael Sonntag; interviews with Audrey Samson and Michaela Lakova.
Edited by Linda Kronman and Andreas Zingerle (KairUs)
Publisher servus.at, Graz, 2015
Creative Commons BY-SA 4.0 International License
Review: Alessandro Ludovico (Neural).Comment (0)
Filed under book | Tags: · archive, computing, electronic waste, electronics, technology
“This is a study of the material life of information and its devices; of electronic waste in its physical and electronic incarnations; a cultural and material mapping of the spaces where electronics in the form of both hardware and information accumulate, break down, or are stowed away. Electronic waste occurs not just in the form of discarded computers but also as a scatter of information devices, software, and systems that are rendered obsolete and fail. Where other studies have addressed “digital” technology through a focus on its immateriality or virtual qualities, Gabrys traces the material, spatial, cultural, and political infrastructures that enable the emergence and dissolution of these technologies. In the course of her book, she explores five interrelated “spaces” where electronics fall apart: from Silicon Valley to Nasdaq, from containers bound for China to museums and archives that preserve obsolete electronics as cultural artifacts, to the landfill as material repository. All together, these sites stack up into a sedimentary record that forms the “natural history” of this study.
Digital Rubbish: A Natural History of Electronics describes the materiality of electronics from a unique perspective, examining the multiple forms of waste that electronics create as evidence of the resources, labor, and imaginaries that are bundled into these machines. By drawing on the material analysis developed by Walter Benjamin, this natural history method allows for an inquiry into electronics that focuses neither on technological progression nor on great inventors but rather considers the ways in which electronic technologies fail and decay. Ranging across studies of media and technology, as well as environments, geography, and design, Jennifer Gabrys pulls together the far-reaching material and cultural processes that enable the making and breaking of these technologies.”
Publisher Digital Culture Books, an imprint of the University of Michigan Press, 2011
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License
ISBN 0472035371, 9780472035373