Audiosphere: Sound Experimentation 1980-2020 (2020)
Filed under book, catalogue | Tags: · experimental music, listening, sound, sound art
“By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
In the following catalogue, the curatorial discourse that articulates the exhibition is displayed along with some texts that affect the relevance of sound art in contemporary art and, with it, in the social field.”
Contributors: Francisco López, Thomas Bey William Bailey, Margie Borschke, Victor Nubla, Luis Alvarado, Guy Marc Hinant, Salomé Voegelin, Caleb Kelly, Paul Hegarty, Greg Hainge, Christoph Cox, John Oswald.
Introduction by Francisco López
Edited by the Publications Department of MNCARS
Publisher Museo Reina Sofía, Madrid, October 2020
Creative Commons BY-NC-ND 4.0
NIPO 828200055
194 pages
HT xgz
English: PDF, PDF
Spanish: PDF, PDF
Disclaimer (2019–)
Filed under journal | Tags: · listening, sound, sound art
Disclaimer is a journal for new thinking and writing on listening and sound.
Staff: Alisa Blakeney, Debris Facility, Georgia Hutchison, Joel Stern
Editorial Associates: Sarah McCauley, Autumn Royal, Mara Schwerdtfeger
Publisher Liquid Architecture, Narrm/Melbourne, since October 2019
Open access
James Parker, Joel Stern (eds.): Eavesdropping: A Reader (2019)
Filed under book | Tags: · law, listening, sound, sound art, sound studies, surveillance
“Eavesdropping: A Reader addresses the capture and control of our sonic world by state and corporate interests, alongside strategies of resistance. For editors James Parker (Melbourne Law School) and Joel Stern (Liquid Architecture), eavesdropping isn’t necessarily malicious. We cannot help but hear too much, more than we mean to. Eavesdropping is a condition of social life. And the question is not whether to eavesdrop, therefore, but how.”
Featuring contributions from James Parker, Joel Stern, Norie Neumark, Lawrence Abu Hamdan, Susan Schuppli, Sean Dockray, Joel Spring, Fayen d’Evie and Jen Bervin, Samson Young, Manus Recording Project Collective.
Publisher City Gallery Wellington, Wellington, with Liquid Architecture, Melbourne, and Melbourne Law School, Melbourne, 2019
Open access
ISBN 9780995128606, 099512860X
223 pages
Review: Kristen Gallerneaux (The Wire, 2020).
Exh. reviews: Norie Neumark (Art+Australia, 2018), Sophie Knezic (MeMO, 2018).
Project website
Exhibition (2018)
Exhibition (2019)
Publisher
WorldCat