John Cage: A Mycological Foray – Variations on Mushrooms, 2 vols. (1972/2020)
Filed under artist publishing, book | Tags: · chance, composing, composition, ecology, mushrooms, music, sound
“John Cage: A Mycological Foray draws readers across the idiosyncratic, mushroom-suffused, innermost landscape of celebrated American composer John Cage. Upon the remarkable journey with Cage, one encounters assorted photographs, compositions, and contemplations; all in the very same unexpected fashion one encounters various flora and fungi species while mushroom foraging.
Volume I encompasses Cage’s mycological-oriented Indeterminacy stories, Diary excerpts, and essays; and the complete transcript of Cage’s 1983 performance, MUSHROOMS et Variationes.”
Volume II offers the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book, printed in 1972 in the limited run of 75 copies. The book is a study of fifteen different species of mushrooms, and each folio includes Cage’s poetry, sketches, and drawings (placed on the page by chance operations); scientific information about the mushrooms by Alexander H. Smith; and botanical illustrations by Lois Long.
John Cage: A Mycological Foray is developed in collaboration with the John Cage Trust.
With essay by Kingston Trinder and texts by Isabelle Bucklow.
Edited by Ananda Pellerin
Publisher Atelier Éditions, New York, 2020
ISBN 1733622004, 9781733622004
224 pages
via Alexandra Fanning, HT Georges Vantongerloo
PDF (watermarked file from publisher’s Dropbox, contains both volumes; no longer available as of 2 July 2020)
Comments (9)Anna Lowenhaupt Tsing: The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (2015)
Filed under book | Tags: · anthropology, bioculture, capitalism, collaboration, ethnography, forest, multispecies, mushrooms, precarity
“Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made?
A tale of diversity within our damaged landscapes, The Mushroom at the End of the World follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction.
By investigating one of the world’s most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.”
Publisher Princeton University Press, Princeton, 2015
ISBN 0691162751, 9780691162751
xii+331 pages
Reviews: Stefan Helmreich (Am Ethnologist, 2016), Eleana J. Kim (Current Anthropology, 2016), Emily Yates-Doerr (Medicine Anthropology Theory, 2016), James P. Verinis (Culture, Agriculture, Food and Environment, 2016), PD Smith (The Guardian, 2017), Joshua A. Bell (Anthropological Q, 2017), William E. O’Brien (AAG Review of Books, 2018), Jason Cons (J Asian Studies, 2016), Jim Igoe (Am Anthropologist, 2016), Eugene N. Anderson (Ethnobiology Letters, 2015), Justine Williams (Transforming Anthropology, 2016), Brandon Bodenstein (Anthropology and Humanism, 2017), Hjorleifur Jonsson (Asia Pacific J Anthropology, 2017), Danya Glabau (J Cultural Economy, 2017), Carmen Victor (Culture Machine, 2017), Sian Sullivan (Dialogues in Human Geography, 2018), Frédérique Aït-Touati (Critique, 2019, FR), Bruno Latour (n.d.).
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