Pamela H. Smith: The Body of the Artisan: Art and Experience in the Scientific Revolution (2004)

4 June 2014, dusan

“Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a “new” philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans.

From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans’ objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.”

Publisher University of Chicago Press, 2004
ISBN 0226763994, 9780226763996
367 pages

Review (William Eamon, Isis, 2006)
Review (Eileen Reeves, Renaissance Quarterly, 2005)
Review (John Henry, The British Journal for the History of Science, 2006)
Review (Trevor Marchand, The Senses and Society Journal, 2008)
Review (Marjorie Harth, Pomona, 2004)

Publisher

PDF (101 MB, no OCR, low quality images)

Victor Coelho (ed.): Music and Science in the Age of Galileo (1992)

17 May 2014, dusan

Music and Science in the Age of Galileo features twelve essays by leading specialists in the fields of musicology, history of science, astronomy, philosophy, and instrument building that explore the relations between music and the scientific culture of Galileo’s time. The essays take a broad historical approach towards understanding such topics as the role of music in Galileo’s experiments and in the scientific revolution, the musical formation of scientists, Galileo’s impact on the art and music of his time, the scientific knowledge of instrument builders, and the scientific experiments and cultural context of Galileo’s father, Vincenzo Galilei. This volume opens up new areas in both musicology and the history of science, and twists together various strands of parallel work by musicians and scientists on Galileo and his time.”

Publisher Kluwer, Dordrecht, 1992
Reprinted by Springer, 1992
The Western Ontario Series in Philosophy of Science series, Volume 51
ISBN 9789048142187
247 pages

Review (Rhonda Martens, Journal for the History of Astronomy, 1997)

PDF

Steven Shapin: The Scientific Revolution (1996)

20 June 2013, dusan

“‘There was no such thing as the Scientific Revolution, and this is a book about it.’ With this provocative and apparently paradoxical claim, Steven Shapin begins his bold vibrant exploration of the origins of the modern scientific worldview.”

Publisher University of Chicago Press, 1996
Science.Culture series
ISBN 0226750205, 0226750213
xiv+218 pages

Reviews: Joseph E. Bauer (H-Net), Margaret J. Osler (Configurations), A.S. Weber (16th Century Journal), D. Bertoloni Meli (Early Science and Medicine), Robert Ward (Soundings).

Publisher

PDF (updated on 2013-6-24, via Marcell Mars)