Filed under journal | Tags: · archive, ephemera, ink, media, paper, social media, text, theatre
“Like some winged insects, ephemera – the plural of the Greek ephemeron – denotes things that last through the day. Maurice Rickards defined it as “the minor transient documents of everyday life” – bus tickets, business cards, bookmarks. Ephemera describes modern mass media forms such as the newspaper and radio broadcasts, as well as contemporary ones such as email and short message service. Ephemera haunts classical aesthetics, whose pretensions to cultural value and endurance can figuratively efface its own materiality and fragility. Ephemera similarly menaces concepts and practices of history, even when it serves as evidence of the past and the stuff of the archive. Indeed, ephemera problematizes memory itself: Wendy Hui Kyong Chun has theorized that digital media create an “enduring ephemeral” of constantly refreshing, regenerating information, introducing as much instability into computer programs as abides in putatively more fallible, degenerative human memory. With this observation, the paradox of ephemera – that it was meant to be disposable and fleeting, but is instead often kept and collected – comes into view as a central ambivalence of modern mediated life.”
With essays by Christina Svendsen, Mollie McFee, Priti Joshi, Kimberly Hall, Dennis Yi Tenen, Susan Zieger, Lindsay Brandon Hunter, and a conversation with Mita Mahato.
Edited by Priti Joshi and Susan Zieger
Publisher Concordia University and Lakehead University, December 2017
Creative Commons Attribution 3.0 Unported License
Filed under book | Tags: · book, computation, human-computer interaction, language, literary theory, literature, media, media theory, poetics, software, text, theory, translation
“This book challenges the ways we read, write, store, and retrieve information in the digital age. Computers—from electronic books to smart phones—play an active role in our social lives. Our technological choices thus entail theoretical and political commitments. Dennis Tenen takes up today’s strange enmeshing of humans, texts, and machines to argue that our most ingrained intuitions about texts are profoundly alienated from the physical contexts of their intellectual production. Drawing on a range of primary sources from both literary theory and software engineering, he makes a case for a more transparent practice of human–computer interaction. Plain Text is thus a rallying call, a frame of mind as much as a file format. It reminds us, ultimately, that our devices also encode specific modes of governance and control that must remain available to interpretation.”
Publisher Stanford University Press, 2017
ISBN 9781503601802, 1503601803
Filed under living book | Tags: · discourse, genre, literary theory, literature, narrative, narratology, text, theory
“The living handbook of narratology (LHN) is based on the Handbook of Narratology, first published by Walter de Gruyter in 2009. As an open access publication, it makes available all of the 32 articles contained in the original print version—and more: the LHN offers the additional functionality of electronic publishing including full text search facility, one-click-export of reference data and digital humanities tools for text analysis.
The LHN continuously expands its original content base by adding new articles on concepts and theories fundamental to narratology and to the study of narrative in general. It offers registered narratologists the opportunity to comment on existing articles, suggest additions or corrections, and submit new articles to the editors.”
Edited by Peter Hühn, John Pier, Wolf Schmid and Jörg Schönert
Publisher Hamburg University Press, 2009
HT Dennis Tenen