Christoph Cox, Jenny Jaskey, Suhail Malik (eds.): Realism Materialism Art (2015)

“Realism Materialism Art (RMA) introduces a diverse selection of new realist and materialist philosophies and examines their ramifications on the arts. Encompassing neo-materialist theories, object-oriented ontologies, and neo-rationalist philosophies, RMA serves as a primer on ‘speculative realism,’ considering its conceptual innovations as spurs to artistic thinking and practice and beyond. Despite their differences, these philosophical positions propose that thought can and does think outside itself, and that reality can be known without its being shaped by and for human comprehension. Today’s realisms and materialisms explicitly challenge many of the dominant assumptions of cultural practice and theoretical inquiry, opening up new domains of research and artistic inquiry.”

Contributions by Armen Avanessian, Elie Ayache, Amanda Beech, Ray Brassier, Mikko Canini, Diana Coole, Christoph Cox, Manuel DeLanda, Diedrich Diederichsen, Tristan Garcia, Iain Hamilton Grant, Elizabeth Grosz, Boris Groys, Graham Harman, Terry Horgan, Jenny Jaskey, Katerina Kolozova, James Ladyman, François Laruelle, Nathan Lee, Suhail Malik, Quentin Meillassoux, Reza Negarestani, John Ó Maoilearca, Trevor Paglen, Luciana Parisi, Matthew Poole, Matjaž Potrč, João Ribas, Matthew Ritchie, Alicia Ritson, Susan Schuppli, Steven Shaviro, Nick Srnicek, Achim Szepanski, Eugene Thacker, McKenzie Wark, Andy Weir.

Publisher Center for Curatorial Studies, Bard College, NY, and Sternberg Press, Berlin, 2015
ISBN 9783956791260, 3956791266
403 pages

Reviews: Ilse van Rijn (Open, 2015), Hatty Nestor (Review31, n.d.).

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Susanne Knaller (ed.): Realität und Wirklichkeit in der Moderne. Texte zu Literatur, Kunst, Fotografie und Film (2013) [German]

An online anthology of 78 theoretical and philosophical texts from the last two centuries presenting a range of conceptions of the reality, in particular exploring the ambiguity of the German notions of Realität and Wirklichkeit. The website also allows reading of the texts through occurrences of 40 selected concepts.

Maintained by Karl-Franzens-Universität Graz
Open Access

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Jean-François Lyotard: Miscellaneous Texts, I-II: Aesthetics and Theory of Art & Contemporary Artists (2012) [EN/FR]

“The first volume, which is itself the fourth of six in the series devoted to Lyotard’s writings on contemporary art and artists published by Leuven University Press, presents nine essays on general aesthetics and the theory of art. Most of these texts, preserved in the Lyotard archives of the Bibliothèque Littéraire Jacques Doucet in Paris, are published here for the first time. They do not reveal ‘another Lyotard’ than the one whom we know through his major writings. Nevertheless, they cover the whole period of his production, from 1969 to 1997; and they make the development of his philosophy of art explicit. After the ‘libidinal’ conception of art in his early writings, the ‘Kantian twist’ of around 1980 places his view on art under the aegis of the sublime.

The second volume brings together thirty-nine essays by Lyotard that deal with twenty-seven artists: Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberg Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brøgger, François Rouan, Pierre Skira, and Béatrice Casadesus. Some of these texts were originally written as contributions to catalogues, others were published in now-inaccessible journals.”

Textes dispersés I: esthétique et théorie de l’art; II: artistes contemporains
Edited by Herman Parret
With epilogues by Jean-Michael Durafour (I) and Dolorès Lyotard (II)
Translated by Vlad Ionescu, Erica Harris and Peter W. Milne
Publisher Leuven University Press, 2012
Jean-François Lyotard: Writings on Contemporary Art and Artists series, 4/I+II
ISBN 9789058677914 & 9789058678867
264 and 720 pages

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Volume I (watermarked, updated on 2022-5-16)
Volume II (watermarked, updated on 2022-5-16)