MARCH, journal of art and strategy (2020–)

“MARCH embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique, and public action. We are a partisan publication: we initiate, articulate, advance, and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, and ourselves. We are con-temporary, with and in our time—an archive of the present and proposition towards the future—where our ideas, actions and form embodies this insurrection.

MARCH features an annual print edition alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. ”

Edited by Sarrita Hunn, James McAnally, et al.

Interview with editors: Mela Dávila Freire (A*Desk, 2021, EN/ES/CA).

Issues, features:
Dispatches (2020)
Issue 1 (2020-2021)
Issue 2: Black Ecologies (ed. Imani Jacqueline Brown, 2021-2022)
Publishing as Protocol (eds. with Constant and Vessel, 2021-2023)
Conversations on Sound and Power (ed. Sonic Insurgency Research Group, 2021-2022)
Multidirectional Memory (2022-)

Catherine Flood, Gavin Grindon (eds.): Disobedient Objects (2014)

“This book explores the material culture of radical change and protest – from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Focusing on social movements since 1980, the book features an introductory essay by the curators examining the history of objects in protest and activism, followed by six essays that look at particular objects, and the contexts in which they are used. It demonstrates how political activism drives a wealth of design ingenuity and collective creativity that defy standard definitions of art and design. Accompanies the V&A exhibition Disobedient Objects, July 2014 to February 2015.”

With essays by Mark Traugott, Anna Feigenbaum, Francesco Raparelli, David Graeber, Nicholas Thoburn, and Ana Longoni.

Publisher V&A Publishing, London, 2014
ISBN 9781851777976, 1851777970
144 pages

Exh. review: Richard Taws (West 86th, 2014).
Book review: Thomas Snow (Object, 2015).

Exhibition
Exhibition blog
WorldCat

PDF (63 MB)

Led Art: Documents of Time: 1993-2003 (2020)

“In an extraordinary socio-political turmoil that shoved Yugoslavia into a war and complete international isolation during the 1990s, activity in culture and the arts was one of possible ways to survive and not be drowned in cataclysmic reality. Under those circumstances, in 1993 painter Nikola Džafo has found Led Art (Ice Art) group. Its projects bear the epithet of engaged art that resisted the regime of Slobodan Milosevic. Led Art gathered more than 300 individuals in close to fifty projects during the ten-year activity period: artists, sociologists, art historians, journalists, scientists. This book covers the activities of the group and the chronology of the social and political events in the former Yugoslavia.”

Translated by Goran Mimica and Svetozar Poštić
Publisher Multi-media center Led Art, Novi Sad, 2020
ISBN 9788690537570
254 pages
via Struron

PDF (23 MB)