Martha Rosler: Positions in the Life World (1999)
Filed under book, catalogue | Tags: · art, body, city, photography, politics, video art

“Since the late 1960s, artist Martha Rosler has produced seminal works in the fields of photography, performance, video, installation, critical writing, and theory. Committed to an art that engages a public beyond the confines of the art world, Rosler investigates how socioeconomic realities and political ideologies dominate ordinary life. Her astute critical analyses are often cloaked in deadpan wit.
This book, which accompanies the first retrospective exhibition of Rosler’s work, contains seven color photo essays by Rosler; an excerpt from the curatorial project “If You Lived Here”; essays by Alexander Alberro, Catherine de Zegher, Sylvia Eiblmayr, Jodi Hauptman, and Annette Michelson; a conversation between Rosler and Benjamin Buchloh; and a biography/bibliography along with a complete list of art works.”
Edited by Catherine de Zegher
Publisher Ikon Gallery, Birmingham, and Generali Foundation, Vienna, 1999
ISBN 026204174X, 9780262041744
294 pages
Reviews: Blake Stimson (CAA, 2000), Ben Highmore (Art History, 2001).
Exh. reviews: Christian Kravagna (Artforum, 1999), Alison Rowley (n.paradoxa, 2001).
Exhibition (Generali, Vienna, 1999)
Exhibition (MACBA, Barcelona, 1999)
Exhibition (New Museum, NYC, 2000)
Distributor
WorldCat
PDF (126 MB)
Comment (0)Open Scores: How to Program the Commons (2020)
Filed under catalogue | Tags: · archive, collaboration, commons, digital culture, digital library, education, feminism, hacking, knowledge, notation, postdigital, privacy, shadow library

“The exhibition OPEN SCORES brought together a series of practices through which artists articulate their specific forms of digital commons. From online archives, to digital tools/infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources and data privacy are central. For the exhibition, each of the projects created a unique score to present their practice.”
Participants: Dušan Barok (monoskop.org), Marcell Mars & Tomislav Medak (memoryoftheworld.org), Sebastian Lütgert & Jan Gerber (0xdb.org), Kenneth Goldsmith (ubu.com), Sean Dockray (AAAAARG), Zeljko Blace (#QUEERingNETWORKing), Ruth Catlow & Marc Garrett (furtherfield.org), Laurence Rassel (erg.be), Marek Tuszynski (Tactical Tech), Michael Murtaugh, Femke Snelting & Peter Westenberg (Constant), Stefanie Wuschitz (Mz* Baltazar’s Lab), Panayotis Antoniadis (nethood.org), Alessandro Ludovico (neural.it), Eva Weinmayr (andpublishing.org), spideralex, Sakrowski (curatingyoutube.net), Creating Commons.
Curated by Creating Commons (Shusha Niederberger, Cornelia Sollfrank, Felix Stalder).
Publisher Creating Commons, Jun 2020
Creative Commons BY-SA 4.0 International License
[40] pages
Project website
Exhibition
Publisher
PDF (40 MB)
See also Aesthetics of the Commons (2021).
Comment (0)Nicole Brenez, Christian Lebrat (eds.): Jeune, dure et pure! Une histoire du cinéma d’avant-garde et expérimental en France (2001) [French]
Filed under book, catalogue | Tags: · avant-garde, cinema, experimental film, film, film criticism, film history

“L’expérimental dans l’expérimentation scientifique et technique – Le cadre aux surprises – Problèmes figuratifs, devenirs abstraits – ” La sagesse ne viendra jamais “. Dada, Surréalisme – Une terrible invention à faire du vrai – Recherches plastiques dans la fiction, travail des formes narratives – Les années 30 – ” L’angoisse et la douleur et l’inhumanité de la race humaine ” – Les années 50 – Americans in Paris – Le cinéma a déjà commencé ? Lettrisme – L’internationale situationniste – Performances et cinéma des plasticiens – ” Les Kamikazes de l’amour “. L’Underground français (et inassimilés) – Zanzibar – Engagements, combats, débats – Formes expérimentales narratives – Melba – Le cinéma du corps – Recherches scientifiques, propositions visuelles – Poèmes ethnographiques – Portrait, collections / Autoportrait, fictions – Paysages – Figurativité du montage – Recherches optiques, inventions sonores et narrativité – Abstractions chromatiques, domaines sensibles – Dispositifs – Le mouvement des Laboratoires – Constellations – Poèmes, pérennités de l’avant-garde.”
Publisher Cinémathèque française, Paris, and Mazzotta, Milan, 2001
ISBN 882021461X, 9788820214616
591 pages
Review: François Bovier (1895, 2008).
PDF (100 MB)
English trans. of Introduction