Benjamin Gaulon (ed.): DeFunct/ReFunct, catalogue (2011)
Filed under catalogue | Tags: · art, circuit bending, error, glitch, hardware hacking, media art, physical computing, programming, recycling, technology
Mobile phones, communication devices, game consoles and PCs have short lifespans. How can we rethink, reuse and reinvent our e-waste? Hardware hacking, programming and physical computing are becoming part of artistic scope. There is a growing interest among artists and designers to know more about these domains of creation.
Catalogue for the DeFunct/ReFunct exhibition held in Rua Red, Dublin, as part of the Glitch Festival.
With texts by Benjamin Gaulon, Garnet Hertz & Jussi Parikka, Rosa Menkman, Alessandro Ludovico, Eduardo Navas, Phillip Stearns.
Featured artists: LoVid (Tali Hinkis and Kyle Lapidus), Gijs Gieskes, Recyclism (Benjamin Gaulon), MNK (Karl Klomp), TokTek (Tom Vebrugen), Rosa Menkman
Publisher RUA RED, Dublin, Ireland
ISBN 9780957077713
32 pages
FIT: Festival intermediálnej tvorby, catalogue (1991) [Slovak]
Filed under catalogue | Tags: · art, computer animation, film, intermedia, intermedia art, music, performance, performance art, poetry, slovakia, theatre
A catalogue for an intermedia art festival organised by The Society for Non-conventional Music (SNEH) in Bratislava on 4-10 March 1991.
Featured artists: Milan Adamčiak, László Cselényi, Balvan Theatre, Daniel Aschwanden, Dada Soiré, Dama Dama, Stano Filko, Dušan Hanák, Viktor Hulík, Milan Knížák, Werner Kodytek, Ladislav Novák, Štěpán Pala, Nová vážnosť, Michal Kern, Dezider Tóth, Juraj Bartusz, Jozef Juhász, Čenkovej deti, Jozef Juhász, Blaho Uhlár Theatre, Transmusic comp. Tibor Szemző, Vitebsk Broken, Alan Vitouš, A Dato
Editor Milan Adamčiak
via muzika-komunika.blogspot.com
PDF (no OCR)
Comment (0)Paul Sharits, Józef Robakowski: Attention: Light!, catalogue (2004)
Filed under catalogue | Tags: · art, experimental film, film, light, structural film
“In the early 1980s, American artist Paul Sharits sent Józef Robakowski plans for a film entitled Attention: Light with the suggestion that Robakowski produce it in Poland. The film was to be a visual rendition of the Mazurka in F minor, Op. 68#4 by Frederick Chopin. Unfortunately, due to unmitigated circumstances including the imposition of martial law in Poland, Robakowski was unable to fulfill Sharits’ wish.
This unique project was eventually realised in 2004 and was the highlight of the program Attention: Light! held at the University at Buffalo’s Center for the Arts, and which featured works by Paul Sharits (T,O,U,C,H,I,N,G; Piece Mandala/End War; Word Movie-Flux Film 39; Tails) and Józef Robakowski (Test 1; Proba II/An Attempt II; 1,2,3,4…; Impulsatory/Impulsators; Video Piesni/Video Songs; Katy Energetyczne/The Energy Angles).
A black and white booklet, published in conjunction with the screening, features forwards by Edmund Cardoni (Hallwalls Executive Director) and Fritzie Brown (CEC ArtsLink Executive Director), essays by Joanna Raczynska (“Four Short Films by Paul Sharits”), Lukasz Ronduda (“Attention: Light!: Józef Robakowski’s Light Based Films and Video Works”), Józef Robakowski (“‘Art’ Friend-A Memoir”), Wieslaw Michalak (“Attention: Light! Technical Description”), and a coda by Malgorzata Potocka. The catalogue also features photos, film scores, and film stills.
Attention: Light was curated by CEC Arts Link curator in residence Lukasz Ronduda, and by Joanna Raczynska, Hallwalls Media Arts Director.”
Edited by Łukasz Ronduda
Publisher Hallwalls, Buffalo, NY, 2004
Design Marianka Dobkowska and Krzysiek Bielecki
ISBN 8388277634
44 pages