Jean-François Lyotard: Discourse, Figure (1971/2011)

12 September 2011, dusan

Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason’s grasp.

A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard’s later concerns, Discourse, Figure captures Lyotard’s passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language.”

Originally published in French as Discours, figure by Klincksieck, 1971

Translated by Antony Hudek and Mary Lydon
Introduction by John Mowitt
Publisher University of Minnesota Press, 2011
Cultural Critique Books
ISBN 0816645655, 9780816645657
512 pages


PDF (updated on 2012-11-4)

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