Filed under book | Tags: · art, immigration, institutional critique, performance art, photography, power, women
“Tanja Ostojić is an interdisciplinary artist from Belgrade who lives and works in Berlin. In her provocative performances, she investigates the position of women within contemporary cultural and political power regimes. She uses persiflage, provocation and irony as strategies to expose and subvert the exclusionary mechanisms of European immigration policies and the hierarchies within the Western art world.
In the years 2001 to 2003, Tanja Ostojić worked on the series Strategies of Success / Curator Series, which consists of performances, installations, photographs and a journal. In I’ll Be Your Angel (2001) she accompanied the curator Harald Szeemann during the opening of the 49th Venice Biennale, never leaving his side. She “presented” her conceptual body art work Black Square on White (2001), in which her pubic hair was trimmed in a square, by keeping it hidden. Tanja Ostojić’s other public actions include taking a bubble bath with the Italian curator Bartolomeo Pietromarchi and art critic Ludovico Pratesi in the Palazzo delle Esposizioni in Rome as the lovely ending to a shared gala dinner, and washing the feet of the Belgrade-based curator Stevan Vuković in Sofa for Curator (2002). The only traces of the non-public performance with the Albanian curator Edi Muka, Vacation with Curator (2003), are the photographs taken by the paparazzi she hired. In her work Politics of queer curatorial positions: After Rosa von Praunheim, Fassbinder and Bridge Markland (2003) she and the Slovenian curator and theorist Marina Gržinić re-enact an iconographic scene featuring Gabrielle d’Estrées, mistress to King Henry IV of France, and one of her sisters.” source
With texts by Marina Gržinić, Suzana Milevska, Tanja Ostojić.
Publisher Galérie La Box, Paris, with Student Cultural Center, Belgrade, 2004
Translations by Laurence Chamlou, Danielle Charonnet, Dušan Djordjević Mileusnić
ISBN 2910164322, 9782910164324
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