Hold stenhårdt fast på greia di: norsk kunst og kvinnekamp 1968-89 / Norwegian Art and Feminism 1968-89 (2013) [Norwegian/English]

15 September 2013, dusan

Hold stenhårdt fast på greia di (“Hold on to your thing”, but the original title holds more references) is the first major exhibition to consider the connections between artistic practice and the feminist movement in Norway.

“The exhibition presents an overview of the many ways in which second-wave feminist ideas contributed to a transformation of the accepted subjects and methods of contemporary art in Norway, as well as the creative contribution that artists made to the public representation of the women’s movement. From the formal liberations of the 60s avant-garde, through the developing political awareness and organised struggles of the 70s, to the disenchantment of the 80s, the exhibition also aims to show some of the ways in which formal art production was influenced by a radical core of activist practice.” (from the catalogue)

The exhibition was first held at Kunsthall Oslo (March-April 2013); another show is scheduled at Kunsthall Stavanger (January-April 2014). It is curated by Eline Mugaas, Elise Storsveen and Kunsthall Oslo.

Publisher Kunsthall Oslo, Oslo, 2013
32 pages

PDF, PDF (from the publisher)

Pop Politics: Activisms at 33 Revolutions, catalogue (2012) [English/Spanish]

23 August 2013, dusan

The catalogue for an exhibition held at Madrid’s CA2M Centro de Arte Dos de Mayo from November 2012 to April 2013, curated by Iván López Munuera.

“The point of departure for Pop Politics is that the political agenda of the visual arts has in many occasions inherited and expanded the experiences of music. The exhibition shows how many artists and art theorists have from their own personal practice visited music, whether as makers, consumers, or critical agents. The exhibition is situated on the margins of the formal consideration of politics, that which refers to forms of government and processes of representation, the taking of decisions and their administration.” (from the Introduction)

With texts by Amparo Lasén, Ferrán Barenblit, Greil Marcus, Ivan López Munuera, José Manuel Costa, Kim Gordon, Lucy O’Brien, Peio Aguirre, and Simon Reynolds.

Publisher CA2M Centro de Arte Dos de Mayo, Madrid, 2012
ISBN 9788445134481
304 pages

publisher

PDF
PDF (Alt link)

Lucy R. Lippard: Get the Message? A Decade of Art for Social Change (1984)

22 July 2013, dusan

“This book is the third collection of essays I’ve published in a little over a decade. Each of my books has marked the beginning of a specific phase of my life, though not necessarily its end. Changing (1971) was the product of my ‘formalist’ or art-educational period; it consisted primarily of essays written from 1965 to 1968, with a few late additions foreshadowing my next book-Six Years: The Dematerialization of the Art Object.. (1973). From the Center (1976) and Eva Hesse (1976) documented my developing conversion to feminism, which expanded all the possibilities that had seemed to be closing down in the ‘cultural confinement’ of the early 1970s. Get the Message? is the result of a need to integrate the three sometimes contradictory elements of my public (and often private) life-art, feminism, left politics. Owing to publication delays, only two essays from the last two years are included.” (introductory note from the author)

Publisher E.P. Dutton, 1984
ISBN 0525480374, 9780525480372
343 pages
via fiona

Review: Fred Pfeil (Minnesota Review, 1985).

PDF (19 MB)