Esther Leslie: Synthetic Worlds: Nature, Art and the Chemical Industry (2005)

Synthetic Worlds considers the remarkable alliance between chemistry and art, taking us from the late eighteenth century to the period immediately following the Second World War. Esther Leslie offers fascinating new insights into the place of the material object and the significance of the natural, the organic, the inorganic and the synthesized in this poetics of science.

Through its dazzling innovations, which began in the nineteenth century, chemistry has granted new colours and surfaces, new substances, coatings and textures to the world. Often they are the result of accidents or the by-products of pollution. Chemistry has also invented simulants and surrogates for naturally occurring materials. Sometimes these developments confounded earlier alchemical and Romantic philosophies of science and nature, but, at other times, dynamic theories of chemical action combined with the emergent chemistry textbook orthodoxy. For example, the colour wheels of Goethe and Philipp Otto Runge, Hegelian theories of a spirit that inhabits dyes and ‘drives’ materials, and Romantic ideas of the weddings of substances influenced the experiments that boosted the successful German chemical industry after the 1840s. In turn, chemistry’s discoveries seeped back into philosophy and art.

Esther Leslie’s Synthetic Worlds considers this and other startling affinities between chemistry, industry, aesthetics and art. Themes include the impact of artificial imitations and synthetics, the location of value, the mutability of substance, chemical fragility and artistic technique, the poetics of the inorganic and pollution, Bauhaus-influenced modulation and patina in art practice, and nationalist narratives of chemical breakthrough.

Publisher Reaktion Books, 2005
Art, Industry and Industrial Studies series
ISBN 1861892489, 9781861892485
280 pages

review (Sophia Efstathiou, Hyle)

publisher
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Ruth Hagengruber (ed.): Emilie Du Châtelet between Leibniz and Newton (2012)

Emilie du Châtelet was one of the most influential woman philosophers of the Enlightenment. Her writings on natural philosophy, physics, and mechanics had a decisive impact on important scientific debates of the 18th century. Particularly, she took an innovative and outstanding position in the controversy between Newton and Leibniz, one of the fundamental scientific discourses of that time.

The contributions in this volume focus on this “Leibnitian turn”. They analyze the nature and motivation of Emilie du Châtelet’s synthesis of Newtonian and Leibnitian philosophy. Apart from the Institutions Physiques they deal with Emilie du Châtelet’s annotated translation of Isaac Newton’s Principia.

The chapters presented here collectively demonstrate that her work was an essential contribution to the mediation between empiricist and rationalist positions in the history of science.

This is the first publication on this particular aspect of Châtelet studies: Founding Physics in Metaphysics – against Newton und Maupertuis’s empiricism, as well as the first publication on a woman philosopher, physicist and mathematician of the 18th century.

Publisher Springer, 2012
Volume 205 of International Archives of the History of Ideas
ISBN 9400720939, 9789400720930
253 pages

Du Châtelet at Wikipedia

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Isabelle Stengers: Cosmopolitics (1996-97–) [FR, EN]

Cosmopolitics I.

“From Einstein’s quest for a unified field theory to Stephen Hawking’s belief that we ‘would know the mind of God’ through such a theory, contemporary science—and physics in particular—has claimed that it alone possesses absolute knowledge of the universe. In a sweeping work of philosophical inquiry, originally published in French in seven volumes, Isabelle Stengers builds on her previous intellectual accomplishments to explore the role and authority of science in modern societies and to challenge its pretensions to objectivity, rationality, and truth.

For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them. She addresses conceptual themes crucial for modern science, such as the formation of physical-mathematical intelligibility, from Galilean mechanics and the origin of dynamics to quantum theory, the question of biological reductionism, and the power relations at work in the social and behavioral sciences. Focusing on the polemical and creative aspects of such themes, she argues for an ecology of practices that takes into account how scientific knowledge evolves, the constraints and obligations such practices impose, and the impact they have on the sciences and beyond.

This perspective, which demands that competing practices and interests be taken seriously rather than merely (and often condescendingly) tolerated, poses a profound political and ethical challenge. In place of both absolutism and tolerance, she proposes a cosmopolitics—modeled on the ideal scientific method that considers all assumptions and facts as being open to question—that reintegrates the natural and the social, the modern and the archaic, the scientific and the irrational.”

Cosmopolitics I includes the first three volumes of the original work: The Science Wars; The Invention of Mechanics; and Thermodynamics.

Cosmopolitics II

“Arguing for an “ecology of practices” in the sciences, Isabelle Stengers explores the discordant landscape of knowledge derived from modern science, seeking intellectual consistency among contradictory, confrontational, and mutually exclusive philosophical ambitions and approaches. For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them.

Stengers concludes this philosophical inquiry with a forceful critique of tolerance; it is a fundamentally condescending attitude, she contends, that prevents those worldviews that challenge dominant explanatory systems from being taken seriously. Instead of tolerance, she proposes a “cosmopolitics” that rejects politics as a universal category and allows modern scientific practices to peacefully coexist with other forms of knowledge.

Cosmopolitics II includes the first English-language translations of the last four books: Quantum Mechanics: The End of the Dream; In the Name of the Arrow of Time: Prigogine’s Challenge; Life and Artifice: The Faces of Emergence; and The Curse of Tolerance. ”

French edition
Publisher La Découverte; Le Plessis-Robinson (Essonne): Synthélabo, Paris, 1996, 1997

English edition
Translated by Robert Bononno
Publisher University of Minnesota Press, 2010, 2011
Posthumanities series
ISBN 0816656878, 9780816656875 (Vol. I)
ISBN 0816656894, 9780816656899 (Vol. II)
312 and 472 pages

Reviews: Steven Shaviro, Michael Halewood (Radical Philosophy).

Author’s lecture on Cosmopolitics, video.

Publisher (EN/1)
Publisher (EN/2)

Cosmopolitiques I: La Guerre des sciences (French, Nov 1996)
Cosmopolitiques III: Thermodynamique: la réalité physique en crise (French, Jan 1997)
Cosmopolitiques VI: La Vie et l’Artifice: visages de l ‘émergence (French, Apr 1997)
Cosmopolitiques VII: Pour en finir avec la tolérance (French, May 1997)
Cosmopolitics I (1-3) (English)
Cosmopolitics II (4-7) (English)