Vladimir Vernadsky: The Biosphere (1926–) [RU, ES, EN]

21 March 2014, dusan

“First published in 1926 but long neglected in the West, Vladimir I. Vernadsky’s The Biosphere revolutionized our view of Earth. Vernadsky teaches us that life has been the transforming geological force on our planet. He illuminates the difference between an inanimate, mineralogical view of Earth’s history, and an endlessly dynamic picture of Earth as the domain and product of living matter to a degree still poorly understood.

The 1998 edition, which is the first English translation of the entire text, features contributions by Mark A. S. McMenamin, Professor of Geology at Mount Holyoke College, who has written extensive annotations to explain the structure of Vernadsky’s arguments and their modern relevance, and Jacques Grinevald, an authority on the idea of the biosphere, who penned an introduction that places the book in historical context.”

English edition
Foreword by Lynn Margulis, Mauro Ceruti, Stjepko Golubic, Ricardo Guerrero, Nubuo Ikeda, Natsuki Ikezawa, Wolfgang E. Krumbein, Andrei Lapo, Antonio Lazcano, David Suzuki, Crispin Tickell, Malcolm Walter, Peter Westbroek
Introduction by Jacques Grinevald
Translated by David B. Langmuir
Revised and Annotated by Mark A.S. McMenamin
Publisher Copernicus Books, 1998
A Peter N. Nevraumont book
ISBN 9781461272649
192 pages

Commentary on the concept (Alexej M. Ghilarov, The Quarterly Review of Biology, 1995)
Commentary on the translations (Mercè Piqueras, International Microbiology, 1998)

Publisher (EN)

Biosfera i noosfera (Russian, 1926/1989)
La Biosfera (Spanish, trans. María Victoria López Paño and Luis Gutiérrez Andrés, 1997)
The Biosphere (English, trans. David B. Langmuir, 1998)

Joseph Needham, et al.: Science and Civilisation in China, 7 vols. (1954–2008)

15 August 2013, dusan

Science and Civilisation in China is recognised as one of the most remarkable works of scholarship in the twentieth century. Originally proposed as a single volume of 600 to 800 pages, the project now encompasses seventeen books published under the direct supervision of Joseph Needham, from the first volume which appeared in 1954, through to volume 6.3 which was in press at the time of his death in 1995. The preparation and publishing of further volumes is ongoing. Responsibility for the commissioning and approval of work for publication in the series is now taken by the Publications Board of the Needham Research Institute, under the chairmanship of Dr C. Cullen, who acts as general editor of the series.”

The published volumes reflect Needham’s vision of the field of the history of science and its social background in China, and his aim to make Chinese achievements in science and technology better understood. The series was on the Modern Library Board’s 100 Best Nonfiction books of the 20th century.

Publisher Cambridge University Press

Review (Robert Finlay, Journal of World History, 2000)
Review (Marta E. Hanson, Early Science and Medicine, 2007)
Simon Winchester on Joseph Needham, video, 57 min (via अवनिचर अवनिचर)

wikipedia
publisher
Needham Research Institute

Vol. 1: Introductory Orientations, With the Research Assistance of Wang Ling, 1954
Vol. 2: History of Scientific Thought, With the Research Assistance of Wang Ling, 1956
Vol. 3: Mathematics and the Sciences of the Heavens and Earth, With the Collaboration of Wang Ling, 1959

Physics and Physical Technology
Vol. 4-1: Physics, With the Collaboration of Wang Ling; and the Special Co-operation of Kenneth Robinson, 1962
Vol. 4-2: Mechanical Engineering, With the Collaboration of Wang Ling, 1965
Vol. 4-3: Civil Engineering and Nautics, With the Collaboration of Wang Ling and Lu Gwei-Djen, 1971

Chemistry and Chemical Technology
Vol. 5-1: Paper and Printing, By Tsien Tsuen-Hsuin, 1985
Vol. 5-2: Spagyrical Discovery and Invention: Magisteries of Gold and Immortality, With the Collaboration of Lu Gwei-Djen, 1974
Vol. 5-3: Spagyrical Discovery and Invention: Historical Survey, from Cinnabar Elixirs to Synthetic Insulin, With the Collaboration of Ho Ping-Yü and Lu Gwei-Djen, 1976
Vol. 5-4: Spagyrical Discovery and Invention: Apparatus, Theories and Gifts, With the Collaboration of Ho Ping-Yü and Lu Gwei-Djen; and a Contribution by Nathan Sivin, 1980
Vol. 5-5: Spagyrical Discovery and Invention: Physiological Alchemy, With the Collaboration of Lu Gwei-Djen, 1983
Vol. 5-6: Military Technology: Missiles and Sieges, With Robin D.S. Yates, Krzysztof Gawlikowski, Edward McEwen, Wang Ling, 1994
Vol. 5-7: Military Technology: The Gunpowder Epic, With the Collaboration of Ho Ping-Yü (Ho Peng Yoke), Lu Gwei-Djen, and Wang Ling, 1987
Vol. 5-8: Not yet published
Vol. 5-9: Textile Technology: Spinning and Reeling, By Dieter Kuhn, 1988
Vol. 5-10: Not yet published
Vol. 5-11: Ferrous Metallurgy, By Donald B. Wagner, 2008
Vol. 5-12: Ceramic Technology, By Rose Kerr and Nigel Wood; With Contributions by Ts’ai Mei-fen and Zhang Fukang; Edited by Rose Kerr, 2004
Vol. 5-13: Mining, By Peter J. Golas, 1999

Biology and Biological Technology
Vol. 6-1: Botany, With the Collaboration of Lu Gwei-Djen, and a Special Contribution by Huang Hsing-Tsung, 1986
Vol. 6-2: Agriculture, By Francesca Bray, 1984
Vol. 6-3: Agro-Industries and Forestry, By Christian A. Daniels and Nicholas K. Menzies, 1996
Vol. 6-4: Not yet published
Vol. 6-5: Fermentations and Food Science, By Huang Hsing-Tsung, 2000
Vol. 6-6: Medicine, With the Collaboration of Lu Gwei-Djen; Edited and With an Introduction by Nathan Sivin, 2000

Vol. 7-1: Language and Logic, By Christoph Harbsmeier; Edited by Kenneth Robinson, 1998
Vol. 7-2: General Conclusions and Reflections, With the Collaboration of Kenneth Robinson and Ray Huang (Huang Jen-Yu); With an Introduction by Mark Elvin; Edited by Kenneth Robinson, 2004

(PDFs removed on 2019-5-15 and 2019-6-21 upon request from publisher)

Esther Leslie: Synthetic Worlds: Nature, Art and the Chemical Industry (2005)

5 March 2013, dusan

Synthetic Worlds considers the remarkable alliance between chemistry and art, taking us from the late eighteenth century to the period immediately following the Second World War. Esther Leslie offers fascinating new insights into the place of the material object and the significance of the natural, the organic, the inorganic and the synthesized in this poetics of science.

Through its dazzling innovations, which began in the nineteenth century, chemistry has granted new colours and surfaces, new substances, coatings and textures to the world. Often they are the result of accidents or the by-products of pollution. Chemistry has also invented simulants and surrogates for naturally occurring materials. Sometimes these developments confounded earlier alchemical and Romantic philosophies of science and nature, but, at other times, dynamic theories of chemical action combined with the emergent chemistry textbook orthodoxy. For example, the colour wheels of Goethe and Philipp Otto Runge, Hegelian theories of a spirit that inhabits dyes and ‘drives’ materials, and Romantic ideas of the weddings of substances influenced the experiments that boosted the successful German chemical industry after the 1840s. In turn, chemistry’s discoveries seeped back into philosophy and art.

Esther Leslie’s Synthetic Worlds considers this and other startling affinities between chemistry, industry, aesthetics and art. Themes include the impact of artificial imitations and synthetics, the location of value, the mutability of substance, chemical fragility and artistic technique, the poetics of the inorganic and pollution, Bauhaus-influenced modulation and patina in art practice, and nationalist narratives of chemical breakthrough.

Publisher Reaktion Books, 2005
Art, Industry and Industrial Studies series
ISBN 1861892489, 9781861892485
280 pages

review (Sophia Efstathiou, Hyle)

publisher
google books

PDF