Ellen Røed: Skyvelære (2014)

Composed of the words sliding and knowing, the Norwegian term skyvelære means caliper, a device for measuring distance. In her research Ellen Røed reflects on devices and procedures that are used in video art and in the natural sciences. She considers various relationships involved in creating representations; field trips, story telling, gathering or capturing of data, measuring and calibrating.

Critical Reflection on Artistic Results of a Fellowship Project in Artistic Research
Bergen Academy of Art and Design, 2014
143 pages

Book version (added on 2016-10-13)

PDF (15 MB)
Accompanying video Skyvelære (While Attempting to Balance) (2013, 276 MB, MOV)

Vladimir Vernadsky: The Biosphere (1926–) [RU, ES, EN]

“First published in 1926 but long neglected in the West, Vladimir I. Vernadsky’s The Biosphere revolutionized our view of Earth. Vernadsky teaches us that life has been the transforming geological force on our planet. He illuminates the difference between an inanimate, mineralogical view of Earth’s history, and an endlessly dynamic picture of Earth as the domain and product of living matter to a degree still poorly understood.

The 1998 edition, which is the first English translation of the entire text, features contributions by Mark A. S. McMenamin, Professor of Geology at Mount Holyoke College, who has written extensive annotations to explain the structure of Vernadsky’s arguments and their modern relevance, and Jacques Grinevald, an authority on the idea of the biosphere, who penned an introduction that places the book in historical context.”

English edition
Foreword by Lynn Margulis, Mauro Ceruti, Stjepko Golubic, Ricardo Guerrero, Nubuo Ikeda, Natsuki Ikezawa, Wolfgang E. Krumbein, Andrei Lapo, Antonio Lazcano, David Suzuki, Crispin Tickell, Malcolm Walter, Peter Westbroek
Introduction by Jacques Grinevald
Translated by David B. Langmuir
Revised and Annotated by Mark A.S. McMenamin
Publisher Copernicus Books, 1998
A Peter N. Nevraumont book
ISBN 9781461272649
192 pages

Commentary on the concept (Alexej M. Ghilarov, The Quarterly Review of Biology, 1995)
Commentary on the translations (Mercè Piqueras, International Microbiology, 1998)

Publisher (EN)

Biosfera i noosfera (Russian, 1926/1989)
La Biosfera (Spanish, trans. María Victoria López Paño and Luis Gutiérrez Andrés, 1997)
The Biosphere (English, trans. David B. Langmuir, 1998)

Douglas Kahn: Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (2013)

“Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions of musicians, artists and scientists such as Alvin Lucier, Edmond Dewan, Pauline Oliveros, John Cage, James Turrell, Robert Barry, Joyce Hinterding, and many others.”

Publisher University of California Press, 2013
ISBN 0520956834, 9780520956834
343 pages

Reviews: Alessandro Ludovico (Neural, 2013), Christopher Haworth (Organised Sound, 2015), Adam Trainer (Continuum, 2015).

Publisher

PDF (removed on 2014-3-19 upon request of the publisher)