Filed under book | Tags: · acoustics, art, art history, cold war, computer music, earth, electromagnetism, electronic music, energy, experimental music, geophysics, hearing, history of science, light, media history, music history, nature, noise, perception, radio, science, sound, sound art, sun, technology, telegraphy, telephone
“Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions of musicians, artists and scientists such as Alvin Lucier, Edmond Dewan, Pauline Oliveros, John Cage, James Turrell, Robert Barry, Joyce Hinterding, and many others.”
Publisher University of California Press, 2013
ISBN 0520956834, 9780520956834
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Filed under book | Tags: · biology, capitalism, cryptography, geophysics, nihilism, occultism, philosophy
“Fanged Noumena brings together the writings of Nick Land for the first time. During the 1990s Land’s unique philosophical work, variously described as ‘rabid nihilism’, ‘mad black deleuzianism’ and ‘cybergothic’, developed perhaps the only rigorous and culturally-engaged escape route out of the malaise of ‘continental philosophy’ – a route which was implacably blocked by the academy. However, Land’s work has continued to exert an influence, both through the British ‘speculative realist’ philosophers who studied with him, and through the many cultural producers – artists, musicians, filmmakers, bloggers – who have been invigorated by his uncompromising and abrasive philosophical vision.
Beginning with Land’s early radical rereadings of Heidegger, Nietzsche, Kant and Bataille, the volume then collects together the papers, talks and articles of the mid-90s – long the subject of rumour and vague legend (including some work which has never previously appeared in print) – in which Land developed his futuristic theory-fiction of cybercapitalism gone amok; and ends with his enigmatic later writings in which Ballardian fictions, poetics, cryptography, anthropology, grammatology and the occult are smeared into unrecognisable hybrids.
Fanged Noumena allows a dizzying perspective on the entire trajectory of this provocative and influential thinker’s work, and will introduce his unique voice to a new generation of readers.”
Edited by Robin Mackay, Ray Brassier
Publisher Urbanomic, Falmouth/UK; with Sequence Press, New York, 2011
Second edition, 2012
ISBN 095530878X, 9780955308789
Review: Mark Fisher.
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Ed Keller, Nicola Masciandaro, Eugene Thacker (eds.): Leper Creativity: Cyclonopedia Symposium (2012)
Filed under book | Tags: · art, geophysics, geopolitics, horror, middle east, philosophy, politics, science fiction, terrorism, theory, theory-fiction, war on terror
Essays, articles, artworks, and documents taken from and inspired by the symposium on Reza Negarestani’s Cyclonopedia: Complicity with Anonymous Materials, which took place on 11 March 2011 at The New School. Hailed by novelists, philosophers, artists, cinematographers, and designers, Cyclonopedia is a key work in the emerging domains of speculative realism and theory-fiction. The text has attracted a wide-ranging and interdisciplinary audience, provoking vital debate around the relationship between philosophy, geopolitics, geophysics, and art. At once a work of speculative theology, a political samizdat, and a philosophic grimoire, Cyclonopedia is a Deleuzo-Lovecraftian middle-eastern Odyssey populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, and the corpses of ancient gods. Playing out the book’s own theory of creativity – “a confusion in which no straight line can be traced or drawn between creator and created – original inauthenticity” – this multidimensional collection both faithfully interprets the text and realizes it as a loving, perforated host of fresh heresies. The volume includes an incisive contribution from the author explicating a key figure of the novel: the cyclone.
With contributions by Robin Mackay, McKenzie Wark, Benjamin H. Bratton, Alisa Andrasek, Zach Blas, Melanie Doherty, Anthony Sciscione, Kate Marshall, Alexander R. Galloway, Eugene Thacker, Nicola Masciandaro, Dan Mellamphy & Nandita Biswas Mellamphy, Ben Woodard, Ed Keller, Lionel Maunz, Öykü Tekten, Reza Negarestani
Publisher Punctum Books, Brooklyn, New York, February 2012
Creative Commons Attribution-NonCommerical-NoDerivs 3.0 Unported License