Stephen Wolfram: A New Kind of Science (2002)

This long-awaited work from one of the world’s most respected scientists presents a series of dramatic discoveries never before made public. Starting from a collection of simple computer experiments–illustrated in the book by striking computer graphics–Stephen Wolfram shows how their unexpected results force a whole new way of looking at the operation of our universe.

Wolfram uses his approach to tackle a remarkable array of fundamental problems in science, from the origins of apparent randomness in physical systems, to the development of complexity in biology, the ultimate scope and limitations of mathematics, the possibility of a truly fundamental theory of physics, the interplay between free will and determinism, and the character of intelligence in the universe.

Written with exceptional clarity, and illustrated by nearly a thousand original pictures, this seminal book allows scientists and nonscientists alike to participate in what promises to be a major intellectual revolution.

Publisher Wolfram Media Inc, 2002
ISBN 1579550193, 9781579550196
348 pages

author
wikipedia
google books

PDF (updated on 2013-1-23)
View online

John Johnston: The Allure of Machinic Life. Cybernetics, Artificial Life, and the New AI (2008)

“In The Allure of Machinic Life, John Johnston examines new forms of nascent life that emerge through technical interactions within human-constructed environments—”machinic life”—in the sciences of cybernetics, artificial life, and artificial intelligence. With the development of such research initiatives as the evolution of digital organisms, computer immune systems, artificial protocells, evolutionary robotics, and swarm systems, Johnston argues, machinic life has achieved a complexity and autonomy worthy of study in its own right.

Drawing on the publications of scientists as well as a range of work in contemporary philosophy and cultural theory, but always with the primary focus on the “objects at hand”—the machines, programs, and processes that constitute machinic life—Johnston shows how they come about, how they operate, and how they are already changing. This understanding is a necessary first step, he further argues, that must precede speculation about the meaning and cultural implications of these new forms of life.

Developing the concept of the “computational assemblage” (a machine and its associated discourse) as a framework to identify both resemblances and differences in form and function, Johnston offers a conceptual history of each of the three sciences. He considers the new theory of machines proposed by cybernetics from several perspectives, including Lacanian psychoanalysis and “machinic philosophy.” He examines the history of the new science of artificial life and its relation to theories of evolution, emergence, and complex adaptive systems (as illustrated by a series of experiments carried out on various software platforms). He describes the history of artificial intelligence as a series of unfolding conceptual conflicts—decodings and recodings—leading to a “new AI” that is strongly influenced by artificial life. Finally, in examining the role played by neuroscience in several contemporary research initiatives, he shows how further success in the building of intelligent machines will most likely result from progress in our understanding of how the human brain actually works.”

Publisher MIT Press, 2008
ISBN 0262101262, 9780262101264
461 pages

Publisher

PDF (updated on 2012-10-31)

Mitchell Whitelaw: Metacreation: Art and Artificial Life (2004)

“Artificial life, or a-life, is an interdisciplinary science focused on artificial systems that mimic the properties of living systems. In the 1990s, new media artists began appropriating and adapting the techniques of a-life science to create a-life art; Mitchell Whitelaw’s Metacreation is the first detailed critical account of this new field of creative practice.

A-life art responds to the increasing technologization of living matter by creating works that seem to mutate, evolve, and respond with a life of their own. Pursuing a-life’s promise of emergence, these artists produce not only artworks, but generative and creative processes: here creation becomes metacreation.

Whitelaw presents a-life art practice through four of its characteristic techniques and tendencies. “Breeders” use artificial evolution to generate images and forms, in the process altering the artist’s creative agency. “Cybernatures” form complex, interactive systems, drawing the audience into artificial ecosystems. Other artists work in “Hardware,” adapting Rodney Brooks’s “bottom-up” robotics to create embodied autonomous agencies. The “Abstract Machines” of a-life art de-emphasize the biological analogy, using techniques such as cellular automata to investigate pattern, form and morphogenesis.

In the book’s concluding chapters, Whitelaw surveys the theoretical discourses around a-life art, before finally examining emergence, a concept central to a-life, and key, it is argued, to a-life art.”

Publisher MIT Press, 2004
ISBN 0262232340, 9780262232340
281 pages

Publisher

PDF (updated on 2012-8-11)