Jeff Berner (ed.): Astronauts of Inner-Space: An International Collection of Avant-Garde Activity (1966)
Filed under book | Tags: · art, avant-garde, computing, concrete poetry, image, language, literature, media, poetry, situationists, technology, text, theatre
17 Manifestoes, Articles, Letters, 28 Poems & 1 Filmscript.
With manifestoes by Raoul Hausmann, John Arden, Jorgen Nash, Decio Pignatari, Maurice Girodias, Bruno Munari, Allen Ginsberg, Franz Mon, Marshall McLuhan, Max Bense, Diter Rot, Otto Piene, W. S. Burroughs, Dom Sylvester Houedard, Konrad Bayer, Margaret Masterman, R. Watts
Publisher Stolen Paper Review Editions, San Francisco, and The Times Publishing Co, London, 1966
66 pages
scanned by Lori Emerson
Everything Magazine (1992-2001)
Filed under magazine | Tags: · aesthetics, art, art criticism, contemporary art, internet art, london, media culture, music, net art, new media, philosophy, technology, theory
The magazine reported on London’s independent art scene, projects, politics and philosophy throughout the 1990s. The web archive includes essays, interviews, reviews, web projects, and two eBC net casts.
Editorial collective (e/E): Luci Eyers, Steve Rushton aka Martina Kapopkin, John Timberlake
Published in London
via Steve Rushton
Interview with editors (Real Audio, 1999)
HTML (Issue -1)
HTML (partial archive, use menu at the bottom)
Net casts (1998)
Machiko Kusahara: Toward Digital Biodiversity: A View on Correlation of Digital Technology and Culture through Analysis of Media Art and Entertainment (2001)
Filed under thesis | Tags: · art, art history, artificial life, digital culture, interactive art, japan, media art, media culture, technology, telematics, telerobotics
This dissertation deals with the relationship between contemporary media art and digital technology. The main focus is on the analysis of the nature of interaction between art and technology. Through a series of case studies, various interactions are analyzed. This will be dealt with from a number of different perspectives, yet always within the context of media culture and society. The way media art and technology simultaneously both influence and are influenced by society and culture will be considered from the perspectives of art history, science, perception and media research. The ultimate goal of this research is to develop conceptual methods for a better understanding of the modalities of human-computer interaction.
Dissertation thesis
The University of Tokyo, January 2001
180 pages
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