Mik journal, Nr. 3: Art and Politics: Case-Studies from Eastern Europe (2007) [English/Lithuanian]

6 September 2011, dusan

“The third volume of the Art History & Criticism journal includes articles based on the proceedings of the international conference Art and Politics: Case-Studies from Eastern Europe organised by the Art Institute, Vytautas Magnus University in 26-27 October 2006. Thirty scholars – from Lithuania, Latvia, Estonia, Poland, Czech Republic, Croatia, Romania, France, Germany, the UK, and the USA – presented papers focused upon one aspect of the European history and culture, namely the former Eastern bloc and its Soviet past as well as quotidian post-Soviet reality. Participants of the Kaunas conference discussed one of the most challenging issues of the field – art and politics.” (from Preface)

Meno istorija ir kritika / Art History & Criticism journal
Issue: Menas ir politika: Rytų Europos atvejai / Art and Politics: Case-Studies from Eastern Europe, 2007
Editor-in-chief: Vytautas Levandauskas
Publisher: Vytauto Didžiojo universitetas / Vytautas Magnus University, Kaunas, Lithuania
ISSN 1822-4555
232 pages

conference programme (PDF)
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Other issues

Richard Noble (ed.): Utopias (2009)

27 August 2011, dusan

“Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new. Contemporary art reflects this general ambivalence. The utopian impulse informs politically activist and relational art, practices that fuse elements of art, design, and architecture, and collaborative projects aspiring to progressive social or political change. Two other tendencies have emerged in recent art: a looking backward to investigate the utopian elements of previous eras, and the imaginative modeling of alternative worlds as intimations of possibility. This anthology contextualizes these utopian currents in relation to political thought, viewing the utopian as a key term in the artistic lineage of modernity. It illuminates how the exploration of utopian themes in art today contributes to our understanding of contemporary cultures, and the possibilities for shaping their futures.”

Artists surveyed include: Joseph Beuys, Paul Chan, Guy Debord, Jeremy Deller, Liam Gillick, Antony Gormley, Dan Graham, Thomas Hirschhorn, Ilya and Emilia Kabakov, Bodys Isek Kingelez, Paul McCarthy, Constant A. Nieuwenheuys, Paul Noble, Nils Norman, Philippe Parreno, Pil and Galia Kollectiv, Superflex, Rirkrit Tiravanija, Mark Titchner, Atelier van Lieshout, Jeff Wall, Andy Warhol, Wochenklauser, Carey Young

Writers include: Theodor Adorno, Jennifer Allen, Catherine Bernard, Ernst Bloch, Yve-Alain Bois, Nicolas Bourriaud, Benjamin H.D. Buchloh, Alex Farquharson, Hal Foster, Michel Foucault, Alison Green, Fredric Jameson, Rosalind Krauss, Hari Kunzru, Donald Kuspit, Dermis P. Leon, Karl Marx, Jeremy Millar, Thomas More, William Morris, Molly Nesbit, Hans Ulrich Obrist, George Orwell, Jacques Rancière, Stephanie Rosenthal, Beatrix Ruf

Publisher MIT Press; with Whitechapel Gallery, London, 2009
Documents of Contemporary Arts series
ISBN 0262640694, 9780262640695
238 pages

Publisher

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Rethinking Marxism: Special Issue on the Common and the Forms of the Commune (2010)

24 August 2011, dusan

This issue brings together papers that tackle a series of problematics which are formulated around the concepts of common, commune, community, and communism, and which engage with the field of critical Marxism. The discussions include the critique of property and commodity fetishism; the relation between ‘modes of production’ and ‘modes of subjectivity’; the rupture with a bourgeois political imaginary circumscribed by the relation between public and private; and the antagonistic nature of class as a process or composition. While an organizing aspiration has been to stage an encounter between operaismo and Althusserian Marxism, contributors complicate this divide by drawing from different philosophical sources and bringing into existence a broader intellectual plane within which these problematics can be situated.

Rethinking Marxism, Volume 22, Issue 3, 2010
Editor: S. Charusheela
Guest editors: Anna Curcio and Ceren Özselçuk

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