Filip Hráček: Audiovizuální styl uživatelských YouTube videí (2009) [Czech]

Práce se zabývá amatérskou tvorbou na serveru YouTube (www.youtube.com) optikou teorie filmu Bordwella a Thompsonové. Na vzorku padesáti videí nachází 8 kategorií audiovizuálního stylu, které definuje a popisuje pomocí osmi případových studií. Následně na vzorku 385 videí zjišťuje poměrné zastoupení těchto kategorií v populaci. Je ukázáno, že nejčastějšími formami vyjádření jsou tzv. slideshow a video-postřehy. Dalšími nalezenými kategoriemi audiovizuálního stylu typickými pro YouTube jsou: videoblog, úryvek domácího videa, screencast, dokument, krátký film a střihový remix. Pouze malá část analyzovaných videí nezapadá do žádné ze jmenovaných kategorií. Součástí práce je také úvaha o mediálním významu YouTube, shrnutí dostupné literatury na téma YouTube, a shrnutí faktorů, které ovlivňují audiovizuální styl YouTube videí. Práce dále poukazuje na metodologickou nedokonalost dosavadních textů na téma YouTube a přichází s metodou, která má zajistit co nejvíce reprezentativní vzorek YouTube videí.

Klíčová slova: YouTube, video, online video, audiovizuální styl, výrazové prostředky, vizualita, filmové umění, vernakulární kultura, amatérská tvorba, uživatelská tvorba, Web 2.0, audiovisual style, phraseology, visuality, film art, vernacular culture, amateur art, User-Generated Content, UGC, Web 2.0

Diplomová práce
Masarykova Univerzita, Fakulta sociálních studií, Mediální a komunikační studia/Mediální studia a žurnalistika
Vedoucí práce: Mgr. David Kořínek
Brno: FSS MU, 2009

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Gábor Bódy, 1946-1985: A Presentation of His Work (1987) [Hungarian/English]

Gábor Bódy was a Hungarian film director, screenwriter, theoretic, and occasional actor. A pioneer of experimental filmmaking and film language, Bódy is one of the most important figures of Hungarian cinema.

This publication appeared on the occasion of the Gábor Bódy life-work exhibition organized in Budapest at the Ernst Museum, the Tinódi Cinema and the Palace of Exhibitions, 19 January – 8 February 1987.

Project and coordination: László Beke and Miklós Peternák
Publisher Műcsarnok, Budapest, 1987
ISBN 9637162704
335 pages

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Mary Strong, Laena Wilder (eds.): Viewpoints: Visual Anthropologists at Work (2009)

“Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone.

This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes.

Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book’s fifteen contributors feature populations living on all of the world’s continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.”

Text Editor: Mary Strong
Visual Editor: Laena Wilder
Publisher University of Texas Press, 2009
ISBN 0292706715, 9780292706712
384 pages

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