Joscelyn Godwin: Athanasius Kircher: A Renaissance Man and the Quest for Lost Knowledge (1979)

Athanasius Kircher (1602-80) stands out as one of the last all-encompassing minds, living in the age of Descartes and Newton, but expounding his knowledge in the light of a unified, spiritual world-view. For this true Renaissance man, the whole cosmos was a glorious theophany waiting to be explored.

Kircher was a Jesuit and an archeologist, a phenomenal linguist and an avid collector of scientific instruments and geographical exploration. He probed the secrets of the subterranean world, deciphered archaic languages, experimented with alchemy and music-therapy, optics and magnetism.

Egyptian mystery wisdom, Greek, Cabbalistic and Christian philosophy met on common ground in Kircher’s work; his sumptuous, encyclopaedic volumes were revered throughout Europe. His gigantic oeuvre is approached here through striking engravings – most of them reprinted for the first time – together with annotations and an introduction to Kircher’s life and work.

Publisher Thames & Hudson, 1979
Art and Imagination series
ISBN 0500810222, 9780500810224
96 pages

google books

PDF (121 MB, no OCR)

Isabelle Stengers: Thinking With Whitehead: A Free and Wild Creation of Concepts (2002–) [FR, EN]

“Alfred North Whitehead has never gone out of print, but for a time he was decidedly out of fashion in the English-speaking world. In a splendid work that serves as both introduction and erudite commentary, Isabelle Stengers—one of today’s leading philosophers of science—goes straight to the beating heart of Whitehead’s thought. The product of thirty years’ engagement with the mathematician-philosopher’s entire canon, this volume establishes Whitehead as a daring thinker on par with Gilles Deleuze, Felix Guattari, and Michel Foucault.

Reading the texts in broadly chronological order while highlighting major works, Stengers deftly unpacks Whitehead’s often complicated language, explaining the seismic shifts in his thinking and showing how he called into question all that philosophers had considered settled after Descartes and Kant. She demonstrates that the implications of Whitehead’s philosophical theories and specialized knowledge of the various sciences come yoked with his innovative, revisionist take on God. Whitehead’s God exists within a specific epistemological realm created by a radically complex and often highly mathematical language.

“To think with Whitehead today,” Stengers writes, “means to sign on in advance to an adventure that will leave none of the terms we normally use as they were.””

Publisher Seuil, Paris, 2002
582 pages

English edition
Translated by Michael Chase
With a Foreword by Bruno Latour
Publisher Harvard University Press, 2011
ISBN 0674048032, 9780674048034
531 pages

Reviews: Bruno Latour (Boundary, 2005), Ronald Desmet (Process Studies, 2011), Leon J. Niemoczynski (Thinking Nature, 2011), Roland Faber (NDPR, 2012), Keith Harris (Metapsychology, 2012), Jennifer Gabrys (Metascience, 2014), Nardina Kaur (Deleuze Studies, 2014).

Publisher (EN)

Penser avec Whitehead. Une libre et sauvage création de concepts (French, 2002, added on 2015-3-8)
Thinking With Whitehead: A Free and Wild Creation of Concepts (English, 2011)

Voynich Manuscript (early 1500s)

“Written in Central Europe at the end of the 15th or during the 16th century, the origin, language, and date of the Voynich Manuscript—named after the Polish-American antiquarian bookseller, Wilfrid M. Voynich, who acquired it in 1912—are still being debated as vigorously as its puzzling drawings and undeciphered text. Described as a magical or scientific text, nearly every page contains botanical, figurative, and scientific drawings of a provincial but lively character, drawn in ink with vibrant washes in various shades of green, brown, yellow, blue, and red.

Based on the subject matter of the drawings, the contents of the manuscript falls into six sections: 1) botanicals containing drawings of 113 unidentified plant species; 2) astronomical and astrological drawings including astral charts with radiating circles, suns and moons, Zodiac symbols such as fish (Pisces), a bull (Taurus), and an archer (Sagittarius), nude females emerging from pipes or chimneys, and courtly figures; 3) a biological section containing a myriad of drawings of miniature female nudes, most with swelled abdomens, immersed or wading in fluids and oddly interacting with interconnecting tubes and capsules; 4) an elaborate array of nine cosmological medallions, many drawn across several folded folios and depicting possible geographical forms; 5) pharmaceutical drawings of over 100 different species of medicinal herbs and roots portrayed with jars or vessels in red, blue, or green, and 6) continuous pages of text, possibly recipes, with star-like flowers marking each entry in the margins.” (source)

240 pages
via Archive.org

wikipedia

PDF
Detailed chemical analysis of the Voynich Manuscript (from the Beinecke Rare Book & Manuscript Library)