Filed under book | Tags: · art, art criticism, climate, cosmology, ice, indigenous peoples, maori, media, meteorology, science, sensors, weather, wind
“An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.
In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.
Randerson finds a precursor to today’s meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth’s diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art’s current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.”
Publisher MIT Press, 2018
ISBN 9780262038270, 0262038277
Filed under book | Tags: · africa, capitalism, colonialism, cosmology, decoloniality, decolonization, eurocentrism, gender, indigenous peoples, knowledge, modernity, neoliberalism, pedagogy, race, racism, theory, university, zapatistas
“In On Decoloniality Walter D. Mignolo and Catherine E. Walsh explore the hidden forces of the colonial matrix of power, its origination, transformation, and current presence, while asking the crucial questions of decoloniality’s how, what, why, with whom, and what for. Interweaving theory-praxis with local histories and perspectives of struggle, they illustrate the conceptual and analytic dynamism of decolonial ways of living and thinking, as well as the creative force of resistance and re-existence. This book speaks to the urgency of these times, encourages delinkings from the colonial matrix of power and its ‘universals’ of Western modernity and global capitalism, and engages with arguments and struggles for dignity and life against death, destruction, and civilizational despair.”
Publisher Duke University Press, Durham, 2018
ISBN 9780822370949, 0822370948
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Filed under catalogue | Tags: · art, cosmology, neo-avant-garde, space, time
Stano Filko (1937-2015) was a key figure in the Slovak neo-avant-garde, associated primarily with environment, installation, happening, and action. In his work he developed a cosmology structured by three principles: red (biology, eroticism, life, 3D), blue (cosmos, the unknown, 4D), and white (transcendence, God, 5D). He spent the 1980s as an émigré in the United States.
This catalogue documents an exhibition focusing on his work from the 1960s-70s, held at the Slovak National Gallery in Bratislava from June-September 2016.
Edited by Lucia Gregorová Stach and Aurel Hrabušický
Publisher Slovak National Gallery, Bratislava, 2016