Seismograf/DMT contemporary art music magazine (2011–) [Danish]
Filed under journal | Tags: · art history, experimental music, field recording, music, music history, music theory, performance, radio, radio art, sound, sound art
Seismograf/DMT er et redaktionelt uafhængigt tidsskrift, der omhandler den nyeste kunst i lyddomænet og dens skabere – eksperimentel kunstmusik, lydkunst, performance, multimedia, interaktion og field recordings.
Tidsskriftet er en fusion af Dansk Musik Tidsskrift, Autograf og Seismograf, og tegner dermed Danmarks eneste platform fuldkommen dedikeret feltet ny kunstmusik og lydkunst.
Fra 2013 vil tidsskriftet endvidere publicere artikler, der er peer reviewed.
Sanne Krogh Groth er chefredaktør for tidsskriftet, der er støttet af Kunststyrelsens Musikudvalg og Dansk Komponistforening.
Publikationer: Japansk Lydkunst; Avantgarde i børnehøjde; Det du lysnar på hörs i P2; ’Touch Me! Fysisk – emotinelt – sensuelt’: Kritik af SPOR festival 2011; Musikhistorier; Urbanitet, lyd og kunst; Komponiststemmer; Instrumentmagere; Retro-utopier: Reportage fra CTM og Transmediale, 2013; Radio Radio Radio
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Comment (0)Anthony Enns, Shelley Trower (eds.): Vibratory Modernism (2013)
Filed under book | Tags: · art, avant-garde, dada, modernism, occultism, performance, photography, sound, theatre, vorticism
“Vibratory Modernism is a collection of original essays that will enable scholars and students to explore how vibrations provided a means of bridging science and art – two fields that became increasingly separate over the course of the nineteenth and early twentieth centuries. The book demonstrates the vital role played by vibrations in the fields of physics, physiology, spiritualism, and by new vibratory technologies, in helping to shape the way modernist art was made and viewed. The chapters are placed into three connecting parts focusing on literature, the visual arts and theatre, each part highlighting the diverse ways in which writers, artists and performers engaged with the fascinating world of vibrations.”
Publisher Palgrave Macmillan
ISBN 1137027258, 9781137027252
288 pages
Arndt Niebisch: Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication (2012)
Filed under book | Tags: · art history, avant-garde, dada, futurism, mass media, media ecology, networks, noise, parasite, performance, poetry, radio, sound, subversion, technology
“The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.”
Publisher Palgrave Macmillan, 2012
Avant-Gardes in Performance series
ISBN 1137276851, 9781137276858
250 pages
PDF, PDF (updated on 2016-3-15)
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