Henry Bond: Lacan at the Scene (2009)

“What if Jacques Lacan–the brilliant and eccentric Parisian psychoanalyst–had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can bemore effectively unraveled with Lacan’s theory of psychoanalysis than with elaborate, technologically advanced forensic tools. Bond’s exposition on murder expands and develops a resolutely Zizekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan’s neurosis-psychosis-perversion grid.

Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s–the period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI’s standard-issue Crime Classification Manual.”

With a Foreword by Slavoj Zizek
Publisher MIT Press, 2009
Short Circuits series
ISBN 0262300095, 9780262300094
233 pages

Review: Daniel Hourigan (Metapsychology, 2010).

Wikipedia
Publisher

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László Moholy-Nagy: Painting, Photography, Film (1925–) [DE, EN]

This book presents Moholy-Nagy’s photograms, X-rays, super-wide-angle fisheye pictures, double prints, collages, montages, and the Bauhaus artist’s thoughts on the interrelationship of type, audio, and visual perception.

From the English edition: “The layout of the pages designed by Moholy-Nagy in 1927–bold sans-serif captions surrounded by lots of white space; compositions composed of arrows, dots, photographs, and heavy ruled lines — is much more like a movie storyboard or a musical score. It conveys a suggestion of imploding optical and retinal phenomena, much like driving down the Los Angeles Freeway at 70 mph or jolting through Philadelphia on the Metroliner.. This edition is a translation and facsimile of the second German edition of Malerei, Fotographie, Film published in 1927 by the Bauhaus Press; and it serves as a valuable reminder of the graphic design pioneered at the Bauhaus by Moholy-Nagy and Herbert Bayer..”

“Gropius had invited the twenty-eight-year-old Hungarian phenom onto the Bauhaus faculty in 1923, and Malerei Fotografie Film is Moholy-Nagy’s first attempt to lay out his entire theory and program for photography, and ultimately, for the transformation of human vision.. The book’s bold typography and design enacted Moholy’s concept of ‘typofoto,’ involving the integration of type and images, which was further elaborated in his two later theoretical works, Von Material zu Architektur and Vision in Motion..” (Randell Roth)

Contains photographs by Alfred Steiglitz, Albert Renger-Pazsch, L. Moholy-Nagy, Man Ray, Lucia Moholy, Hannah Hoch and others.

Publisher Albert Langen, Munich, 1925
Volume 8 of Bauhausbücher series
Second edition, 1927
140 pages
via Bibliothèque Kandinsky

English edition
With a Note by Hans M. Wingler, and a Postcript by Otto Stelzer
Translated by Janet Seligman
Publisher Lund Humphries, London, 1969
150 pages
via Sorin Danut

Moholy-Nagy at Monoskop wiki

Malerei, Fotografie, Film (German, 2nd ed., 1925/1927, 131 MB, via Bibliothèque Kandinsky, updated on 2022-4-13)
Malerei, Fotografie, Film (German, 2nd ed., 1925/1927, PDF, JPG, in Heidelberg U Library, added on 2019-7-7)
Painting, Photography, Film (English, trans. Janet Seligman, 1969, added on 2014-8-17)

See also other titles in Bauhaus Books series.

Geir Egil Bergjord: Pierre Henry’s House of Sounds (2010)

“I met French composer and founder of Musique Concrète, Pierre Henry, for the first time during a performance in Stavanger (Norway) in September 2006. Four years later, after numerous travels back and forth between Stavanger and Paris, my joint project with Henry was launched. The book, a seemingly endless flow of photos, moving room by room, from macro close-ups to overviews, is like a visit in the house, accompanied by a CD containing previously unreleased pieces by Pierre Henry: Capriccio, Phrases de Quatuor, Miroirs de Temps and Envol.” (from the author)

The book contains texts by Pierre Henry, François Weyergans, Maurice Fleuret, Yves Bigot, Tommy Olsson, Geir Egil Bergjord, Tor Åge Bringsværd, and Isabelle Warnier.

Publisher Gilka, Norway, 2010
ISBN 9788292829028
224 pages

author

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