Peter Swirski (ed.): The Art and Science of Stanislaw Lem (2006)

“The Polish science fiction writer Stanislaw Lem, whose works include Return from the Stars, The Cyberiad, A Perfect Vacuum, and Solaris, has been hailed as a “literary Einstein” and a science-fiction Bach. The Art and Science of Stanislaw Lem provides an inter-disciplinary analysis of his influence on Western culture and the creative partnering of art and science in his fiction and futorology by American and European scholars who have defined Lem scholarship.

Rather than analyzing Lem solely as a science fiction writer, the contributors examine the larger themes in his work, such as social engineering and human violence, agency and consciousness, Freudianism and the creative process, evolution and the philosophy of the future, virtual reality and epistemological illusion, and science fiction and socio-cultural policy.

This unique collection also includes “Smart Robots,” a previously unpublished essay by Lem.”

Contributors include Peter Butko, Istvan Csicsery-Ronay Jr, Katherine Hayles, Jerzy Jarzebski, Michael Kandel, Stanislaw Lem, Paisley Livingston, Krzysztof Loska, and Peter Swirski.

Publisher McGill-Queen’s University Press, 2006
ISBN 0773575073, 9780773575073
208 pages

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PDF (updated on 2014-12-29)

Steven Shapin: The Scientific Life: A Moral History of a Late Modern Vocation (2008)

“Who are scientists? What kind of people are they? What capacities and virtues are thought to stand behind their considerable authority? They are experts—indeed, highly respected experts—authorized to describe and interpret the natural world and widely trusted to help transform knowledge into power and profit. But are they morally different from other people? The Scientific Life is historian Steven Shapin’s story about who scientists are, who we think they are, and why our sensibilities about such things matter.

Conventional wisdom has long held that scientists are neither better nor worse than anyone else, that personal virtue does not necessarily accompany technical expertise, and that scientific practice is profoundly impersonal. Shapin, however, here shows how the uncertainties attending scientific research make the virtues of individual researchers intrinsic to scientific work. From the early twentieth-century origins of corporate research laboratories to the high-flying scientific entrepreneurship of the present, Shapin argues that the radical uncertainties of much contemporary science have made personal virtues more central to its practice than ever before, and he also reveals how radically novel aspects of late modern science have unexpectedly deep historical roots. His elegantly conceived history of the scientific career and character ultimately encourages us to reconsider the very nature of the technical and moral worlds in which we now live.

Building on the insights of Shapin’s last three influential books, featuring an utterly fascinating cast of characters, and brimming with bold and original claims, The Scientific Life is essential reading for anyone wanting to reflect on late modern American culture and how it has been shaped.”

Publisher University of Chicago Press, 2008
ISBN 0226750248, 9780226750248
468 pages

Reviews: Barbara Herrnstein Smith (London Review of Books), Theodore M. Porter (American Scientist), Michael Cournoyea (Spontaneous Generations).

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PDF (updated on 2013-5-21)

Larry Hickman: Philosophical Tools for Technological Culture. Putting Pragmatism to Work (2001)

A practical and comprehensive appraisal of the value of philosophy in today’s technological culture.

Philosophical Tools for Technological Culture contends that technology—a defining mark of contemporary culture—should be a legitimate concern of philosophers. Larry A. Hickman contests the perception that philosophy is little more than a narrow academic discipline and that philosophical discourse is merely redescription of the ancient past. Drawing inspiration from John Dewey, one of America’s greatest public philosophers, Hickman validates the role of philosophers as cultural critics and reformers in the broadest sense. Hickman situates Dewey’s critique of technological culture within the debates of 20th-century Western philosophy by engaging the work of Richard Rorty, Albert Borgmann, Jacques Ellul, Walter Benjamin, Jürgen Habermas, and Martin Heidegger, among others. Pushing beyond their philosophical concerns, Hickman designs and assembles a set of philosophical tools to cope with technological culture in a new century. His pragmatic treatment of current themes—such as technology and its relationship to the arts, technosciences and technocrats, the role of the media in education, and the meaning of democracy and community life in an age dominated by technology—reveals that philosophy possesses powerful tools for cultural renewal. This original, timely, and accessible work will be of interest to readers seeking a deeper understanding of the meanings and consequences of technology in today’s world.

Publisher Indiana University Press, 2001
The Indiana Series in the Philosophy of Technology
ISBN 0253338697, 9780253338693
215 pages

publisher
google books

PDF (updated on 2013-6-3)