ISEA2012 Albuquerque: Machine Wilderness (2012)

Published to coincide with the Eighteenth International Symposium on Electronic Art, ISEA 2012, subtitled “Re-envisioning Art, Technology and Nature”. The catalog features images and stills of the works from the exhibition as well as essays by the curators and developers of the symposium.

Publisher Radius Books, with 516 Arts, Albuquerque Museum of Art, University of New Mexico, and Fund at the Albuquerque Community Foundation, Santa Fe, NM, 2012
ISBN 9781934435571, 1934435570
171 pages
via ISEA Archives

Symposium website, (2)
Publisher
WorldCat

PDF, PDF, PDF (5 MB)
See also Conference proceedings (5 MB, PDF).

Your Private Sky: R. Buckminster Fuller: The Art of Design Science (1999)

“‘Bucky’ was one of the most revolutionary technological visionaries of this century. As an architect, engineer, entrepreneur, poet, he was a quintessentially American, self-made man. But he was also an outsider: a technologist with a poet’s imagination who already developed theories of environmental control in the thirties (“more with less”) and anticipated the globalization of our planet (“think global – act local”).

This visual reader documents and examines Fuller’s theories, ideas, designs, and projects. It also takes an analytical look at his ideology of technology as the panacea. With numerous illustrations, many published here for the first time, as well as texts by Fuller and the editors.

The publication presents Buckminster Fuller’s creations as a dazzling expression of this unconditionally optimistic technocrat whose vision of driverless Spaceship Earth led him to examine the principles of maximizing effects in the most diverse sectors of design and construction.”

Edited by Joachim Krausse and Claude Lichtenstein
Translated by Steven Lindberg and Julia Thorson
Publisher Lars Müller, Baden, 1999
ISBN 3907044886, 9783907044889
528 pages
via ExP

Review: John Martinson (Geographical Review 2001).

Publisher
WorldCat

PDF (no OCR, 68 MB)

Ernst Cassirer: Form and Technology (1930–) [DE, EN]

“Ernst Cassirer’s outline of a philosophy of technology in the essay ‘Form und Technik’ (1930) was written against the background of the crisis of modernity in the Weimar Republic. It may be read, along with Heidegger’s ‘The Question Concerning Technology’, as a continuation of their debate in Davos in 1929. However, Cassirer’s unnamed antagonist here is Oswald Spengler, in whom Cassirer saw a leading representative of the widespread irrational and fatalistic interpretations of modernity that threatened the future of the Weimar Republic. Cassirer’s reading of the disclosive, liberating possibilities of technology points to an affinity between modern technology and art as opposed to the affinity between ancient technology and art that Heidegger discerns in the original conception of techne.” (David Roberts, 2012).

First published in Kunst und Technik, ed. Leo Kestenberg, Berlin: Wegweiser, 1930, pp 15-61.
Reprinted in Cassirer, Symbol, Technik, Sprache. Aufsätze aus den Jahren 1927–1933, eds. Ernst Wolfgang Orth and John Michael Krois, Hamburg: Meiner, 1985, pp 39-91.
Reprinted in Cassirer, Gesammelte Werke. Hamburger Ausgabe. Band 17: Aufsätze und kleine Schriften (1927-1931), ed. Birgit Recki, Hamburg: Meiner, 2004, pp 139-183.

English translations:
Translated by Wilson McClelland Dunlavey and John Michael Krois, in Ernst Cassirer on Form and Technology, eds. Aud Sissel Hoel and Ingvild Folkvord, Palgrave Macmillan, 2012, pp 15-53.
Translated by Steve Lofts, Antonio Calcagno, John Krois, and Wilson Dunlavey, in Cassirer, The Warburg Years (1919-1933): Essays on Language, Art, Myth, and Technology, Yale University Press, 2013, pp 272-316. Trans. from 1985 edition.

German editions:
HTML (1930)
PDF (1985)
DOC (2004)

English translations:
PDF (2012)
PDF (2013)