Karla Jasso: Arte-tecnología: Arqueología, dialéctica, mediación (2013) [Spanish]
Filed under book | Tags: · art, art history, machine, mechanics, media, media archeology, media theory, mediation, music, negative dialectics, technology
A volume on art, media theory and media archaeology with chapters on Adorno, Kittler, Zielinski, Athanasius Kircher and Alejandro Favián, based on author’s dissertation thesis in art history defended at the Universidad Nacional Autónoma de México (UNAM) in 2012.
Self-published in Ciudad de Mexico, 2013
329 pages
PDF
on Academia.edu (from the author)
ARG
Calvin Tomkins: The Bride and the Bachelors: Five Masters of the Avant-Garde (1965/1976)
Filed under book | Tags: · art, art criticism, art history, dance, machine, music, painting
A classic work of art criticism. The chapters on Marcel Duchamp, John Cage, Jean Tinguely, Robert Rauschenberg, and Merce Cunningham by an author also known for his work for Radio Free Europe, Newsweek, and The New Yorker.
First published by Viking Press, 1965
Viking Compass Edition with a new Introduction and expanded text published 1968
This edition by Penguin, 1976
ISBN 0140043136
306 pages
PDF (36 MB, no OCR)
Comment (1)Annie van den Oever (ed.): Technē/Technology: Researching Cinema and Media Technologies (2014)
Filed under book | Tags: · aesthetics, art, cinema, film, film theory, image, machine, media, media technology, media theory, perception, phenomenology, philosophy of film, philosophy of technology, photography, technē, technology, television, video, vision
“This fourth title in the series The Key Debates sets out where the term technē comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors – among them André Gaudreault, Geoffrey Winthrop-Young, Martin Lefebvre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie – investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.”
Publisher Amsterdam University Press, Amsterdam, 2014
The Key Debates: Mutations and Appropriations in European Film Studies series
Creative Commons BY NC ND License 3.0
ISBN 9089645713, 9789089645715
413 pages