Tim Crook: International Radio Journalism: History, Theory and Practice (1998)
Filed under book | Tags: · audience, journalism, public broadcasting, radio
Radio journalists have witnessed much of the history of the twentieth century. From early documentary recordings , to the ground-breaking war reporting of Ed Murrow and Richard Dimbleby, to the sophisticated commentaries of Alistair Cooke and reporters such as Fergal Keane, International Radio Journalism explores the way radio has covered the most important stories this century and the way in which it continues to document events in Britan, America, Europe and many other countries around the world.
International Radio Journalism is both a theoretical textbook and a practical guide for students of radio journalism, reporters, editors and producers. The book details training and professional standards in writing, presentation, technology, editorial ethics and media law in America, Britain, Australia and other English speaking countries and examines the major public sector broadcast networks such as the BBC, CBC, NPR and ABC as well as the work of commercial and small public radio stations.
Timothy Crook investigates the way in which news reporting has been influenced by governments and media conglomerates and identifies an undercurrent of racial and sexual discrimination throughout the history of radio news. There are chapters on media law for broadcast journalists, the implications of multi-media and new technologies, digital applications in radio news, and glossaries which cover the skills of voice presentaion, writing radio news and broadcast vocabulary.
Publisher Routledge, 1998
Series: Communication and society
ISBN 0415096731, 9780415096737
Length 308 pages
Steve J. Wurtzler: Electric Sounds: Technological Change and the Rise of Corporate Mass Media (2007)
Filed under book | Tags: · acoustics, audience, film, listening, mass media, music, sound, sound recording, wireless networks
Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the cinema.
The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry’s conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework on which U.S. communications policy continues to be based, the development of several powerful media conglomerates, and the birth of a new acoustic commodity in which a single story, song, or other product was made available to consumers in multiple media forms and formats.
But what role would this new media play in society? Celebrants saw an opportunity for educational and cultural uplift; critics feared the degradation of the standards of public taste. Some believed acoustic media would fulfill the promise of participatory democracy by better informing the public, while others saw an opportunity for manipulation. The innovations of this period prompted not only a restructuring and consolidation of corporate mass media interests and a shift in the conventions and patterns of media consumption but also a renegotiation of the social functions assigned to mass media forms.
Steve J. Wurtzler’s impeccably researched history adds a new dimension to the study of sound media, proving that the ultimate form technology takes is never predetermined. Rather, it is shaped by conflicting visions of technological possibility in economic, cultural, and political realms. Electric Sounds also illustrates the process through which technologies become media and the ways in which media are integrated into American life.
Publisher Columbia University Press, 2007
Film and Culture series
ISBN 0231136773, 9780231136778
393 pages
Review (Jonathan Sterne, Cinema Journal, 2008)
Review (Gerd Horten, The American Historical Review, 2008)
Review (Heidi Tworek, H-Net/Jhistory, 2010)
PDF (updated on 2012-8-3)
Comment (0)Hamid Naficy: The Making of Exile Cultures: Iranian Television in Los Angeles (1993)
Filed under book | Tags: · audience, deterritorialization, exile, film, ideology, islam, music video, politics, television
Naficy explores the seemingly contradictory way in which immigrant media and cultural productions serve as the source both of resistance and opposition to the domination by host and home country’s social values while simultaneously serving as vehicles for personal and cultural transformation and assimilation of those values.
Publisher U of Minnesota Press, 1993
ISBN 0816620873, 9780816620876
Length 283 pages