Piotr Czerski: We, the Web Kids (2012) [PL/EN/ES/DE/FR/EE/CZ/SE/RS/MK/CN/IT/RU]

Originally published on 11 February 2012 in the Polish paper Dziennik Bałtycki under the title My, dzieci sieci.
Creative Commons License BY-SA 3.0 Unported

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Tytuł został zapożyczony z kultowego bloga mydziecysieci.

.dpi, 22: Free Culture (2011) [French/English]

.dpi is an alternative forum for discourse and creation, on the subject of women, media and technological landscapes.

“Against recurrent and rhetorical assaults from the “creative” industries and governments that claim loud and clear that copyrights and intellectual property are the saving grace of culture, some creators diffuse their work and reuse, reinvent and revolt themself and play. They claim free culture as both movement and public discourse – a discourse that is multilingual.

Extension of the public domain, prism of freedom, translation of a universe or restoration of a natural state – can free culture interpret itself freely? What makes it culture? What freedom does it embody? What is it fighting for? What materials is it using and what relationships is it building on?

Dpi22 Free Culture offers a number of propositions that are sometimes at odds, tensing against one another. Throughout the issue, they act as dialogue from the artists-thinkers of this culture and freedom and showcase a virulent dynamic.” (from Editorial)

With articles by Nancy Mauro-Flude, Britt Wray, Aymeric Mansoux, Dragana Zarevska, Yasna Dimitrovska.
Artworks by Sarah Boothroyd, Pascale Gustin

Guest Editor-in-Chief: Anne Goldenberg
Coordinator: Ximena Holuigue
Editorial team: Christina Haralanova, Liza Petiteau, Deanna Radford, Dina Vescio
Publisher: Studio XX, November 2011
ISSN 1712-9486

HTML (English, updated on 2017-12-2)
HTML (French, updated on 2017-12-2)

Rebecca MacKinnon: Consent of the Networked: The Worldwide Struggle for Internet Freedom (2012)

Google has a history of censoring at the behest of Communist China. Research in Motion happily opens up the BlackBerry to such stalwarts of liberty as Saudi Arabia. Yahoo has betrayed the email accounts of dissidents to the PRC. Facebook’s obsession with personal transparency has revealed the identities of protestors to governments. For all the overheated rhetoric of liberty and cyber-utopia, it is clear that the corporations that rule cyberspace are making decisions that show little or no concern for their impact on political freedom. In Consent of the Networked, internet policy specialist Rebecca MacKinnon argues that it’s time for us to demand that our rights and freedoms are respected and protected before they’re sold, legislated, programmed, and engineered away. The challenge is that building accountability into the fabric of cyberspace demands radical thinking in a completely new dimension. The corporations that build and operate the technologies that create and shape our digital world are fundamentally different from the Chevrons, Nikes, and Nabiscos whose behavior and standards can be regulated quite effectively by laws, courts, and bureaucracies answerable to voters.The public revolt against the sovereigns of cyberspace will be useless if it focuses downstream at the point of law and regulation, long after the software code has already been written, shipped, and embedded itself into the lives of millions of people. The revolution must be focused upstream at the source of the problem. Political innovation—the negotiated relationship between people with power and people whose interests and rights are affected by that power—needs to center around the point of technological conception, experimentation, and early implementation.The purpose of technology—and of the corporations that make it—is to serve humanity, not the other way around. It’s time to wake up and act before the reversal becomes permanent.

Publisher Basic Books, 2012
ISBN 0465024424, 9780465024421
352 pages

review (Adam Thierer, Technology Liberation Front)
review (John Kampfner, The Guardian)

Let’s take back the Internet! (author’s TED talk)
author
publisher
google books

PDF (EPUB)
Afterword to the Paperback Edition (HTML, added on 2013-4-19)