Niklas Luhmann: Art as a Social System (1995/2000)
Filed under book | Tags: · aesthetics, art, art system, autopoiesis, communication, cybernetics, perception, romanticism, social theory, systems theory
This is the definitive analysis of art as a social and perceptual system by Germany’s leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of art—in its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those creating as well as those receiving art works—but it also represents an important advance in systems theory.
Returning to the eighteenth-century notion of aesthetics as pertaining to the “knowledge of the senses,” Luhmann begins with the idea that all art, including literature, is rooted in perception. He insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that uses perceptions instead of language. It operates at the boundary between the social system and consciousness in ways that profoundly irritate communication while remaining strictly internal to the social.
In seven densely argued chapters, Luhmann develops this basic premise in great historical and empirical detail. Framed by the general problem of art’s status as a social system, each chapter elaborates, in both its synchronic and diachronic dimensions, a particular aspect of this problem. The consideration of art within the context of a theory of second-order observation leads to a reconceptualization of aesthetic form. The remaining chapters explore the question of the system’s code, its function, and its evolution, concluding with an analysis of “self-description.”
Art as a Social System draws on a vast body of scholarship, combining the results of three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory. The book also engages virtually every major theorist of art and aesthetics from Baumgarten to Derrida.
Originally published in German in 1995 under the title Die Kunst der Gesellschaft, Suhrkamp, Frankfurt am Main
Translated by Eva M Knodt
Publisher Stanford University Press, 2000
Meridian: Crossing Aesthetics series
ISBN 0804739072, 9780804739078
422 pages
PDF (updated on 2012-7-17)
Comment (0)Nigel Thrift: Non-Representational Theory: Space, Politics, Affect (2007)
Filed under book | Tags: · affect, anthropology, cultural studies, everyday, geography, life, non-representational theory, politics, social theory, sociology, space
“This book presents a distinctive approach to the politics of everyday life. Ranging across a variety of spaces in which politics and the political unfold, it questions what is meant by perception, representation and practice, with the aim of valuing the fugitive practices that exist on the margins of the known. It revolves around three key functions.
It introduces the rather dispersed discussion of non-representational theory to a wider audience; provides the basis for an experimental rather than a representational approach to the social sciences and humanities; and begins the task of constructing a different kind of political genre.”
Publisher Routledge, 2007
International library of sociology
ISBN 0415393213, 9780415393218
325 pages
Nigel Thrift: Knowing Capitalism (2005)
Filed under book | Tags: · actor-network theory, anthropology, capitalism, complexity theory, computing, cultural economy, economics, economy, genetic algorithms, geography, information technology, rfid, social theory
Capitalism is well known for producing a form of existence where `everything solid melts into air’. But what happens when capitalism develops theories about itself? Are we moving into a condition in which capitalism can be said to possess a brain?
These questions are pursued in this sparkling and thought-provoking book. Thrift looks at what he calls “the cultural circuit of capitalism,” the mechanism for generating new theories of capitalism. The book traces the rise of this circuit back to the 1960s when a series of institutions locked together to interrogate capitalism, to the present day, when these institutions are moving out to the Pacific basin and beyond. What have these theories produced? How have they been implicated in the speculative bubbles that characterized the late twentieth century? What part have they played in developing our understanding of human relations?
Building on an inter-disciplinary approach which embraces the core social sciences, Thrift outlines an exciting new theory for understanding capitalism. His book is of interest to readers in Geography, Social Theory, Antrhopology and Cultural Economics.
Publisher SAGE Publications, 2005
Published in association with Theory, Culture & Society
Theory, culture & society
ISBN 141290059X, 9781412900591
Length 256 pages