Gretchen Simms: The 1959 American National Exhibition in Moscow and the Soviet Artistic Reaction to the Abstract Art (2007)

“The American National Exhibition was an exchange exhibition organised by the United States Information Agency (USIA) and took place at Sokolniki Grounds in Moscow in 1959. The overall director George V. Allen and the Association of Federated Artists (AFA) Vice President Lloyd Goodrich, who was also President of the Whitney Museum of American Art in New York, were responsible for the art section of the Exhibition. The art committee selected, intended to show the Soviet public the developments in modern American art since World War I.

The Soviet response to the Exhibition can only be fully appreciated by looking back at the developments within Russian and Soviet art as well as the political and social changes which the peoples in the Soviet Union experienced under Khrushchev. Through the analysis of the Soviet reception of the Exhibition, this dissertation shows how the Soviet public and especially the artworld in Moscow perceived specifically the American abstract art.

It reveals how the American abstract art displayed at the Exhibition facilitated the Soviet artists path in looking back at their Russian roots, looking within themselves and looking outside of their immediate boundaries in order to create new Soviet art.” (from the Abstract)

Art History, University of Vienna
Supervisor Dieter Bogner
191 pages

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Christopher Hayes: Twilight of the Elites: America After Meritocracy (2012)

A powerful and original argument that traces the roots of our present crisis of authority to an unlikely source: the meritocracy.

Over the past decade, Americans watched in bafflement and rage as one institution after another – from Wall Street to Congress, the Catholic Church to corporate America, even Major League Baseball – imploded under the weight of corruption and incompetence. In the wake of the Fail Decade, Americans have historically low levels of trust in their institutions; the social contract between ordinary citizens and elites lies in tatters.

How did we get here? With Twilight of the Elites, Christopher Hayes offers a radically novel answer. Since the 1960s, as the meritocracy elevated a more diverse group of men and women into power, they learned to embrace the accelerating inequality that had placed them near the very top. Their ascension heightened social distance and spawned a new American elite–one more prone to failure and corruption than any that came before it.

Mixing deft political analysis, timely social commentary, and deep historical understanding, Twilight of the Elites describes how the society we have come to inhabit – utterly forgiving at the top and relentlessly punitive at the bottom – produces leaders who are out of touch with the people they have been trusted to govern. Hayes argues that the public’s failure to trust the federal government, corporate America, and the media has led to a crisis of authority that threatens to engulf not just our politics but our day-to-day lives.

Upending well-worn ideological and partisan categories, Hayes entirely reorients our perspective on our times. Twilight of the Elites is the defining work of social criticism for the post-bailout age.

Publisher Crown Publishers, a division of Random House, New York, June 2012
ISBN 0307720470, 9780307720474
320 pages

review (Glenn Greenwald, Salon)
review (Aaron Swartz)
review (David Brooks, The New York Times)
review (Hua Hsu, Slate)

wikipedia
publisher
google books

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Inside the Cave: Obama’s Digital Campaign (2012)

Inside the Cave is an in-depth look at the digital, technology, and analytics operations of the President Obama’s re-election campaign. Engage Research compiled insights, data, and anecdotes from hundreds of news stories, blog posts, conference presentations, and conversations into a single presentation.

Publisher Engage Research, December 2012
93 pages
via pht

commentary (Mashable.com)
When the Nerds Go Marching In (Alexis Madrigal, The Atlantic)

publisher

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