Néstor García Canclini: Hybrid Cultures: Strategies for Entering and Leaving Modernity (1990–) [ES, EN]

“When it was originally published, Hybrid Cultures was foundational to Latin American cultural studies. This now-classic work features a new introduction in which Néstor García Canclini calls for a cultural politics to contain the damaging effects of globalization and responds to theoretical developments over the past decade.

García Canclini questions whether Latin America can compete in a global marketplace without losing its cultural identity. He moves with ease from the ideas of Gramsci and Foucault to economic analysis, from appraisals of the exchanges between Octavio Paz and Jorge Luis Borges to Chicano film and graffiti. Hybrid Cultures at once clarifies the development of democratic institutions in Latin America and reveals that the most destructive ideological trends are still going strong.”

Publisher Grijalbo, México, 1990
ISBN 9700505626
391 pages

English edition
Foreword by Renato Rosaldo
Translated by Christopher L. Chiappari and Silvia L. Lopez
University of Minnesota Press, 1995
New edition, with a New Introduction, 2005
ISBN 9780816646685
293 pages

Reviews: Jesús Martín‐Barbero (Travesia, 1992, EN)
Arnaldo Valero (Actual, 1994, ES), Ileana Rodríguez (Journal of the Midwest Modern Language Association, 1997, EN), Jesús Martín Barbero (Dominical, 2001, ES), Ivanilton Jose de Oliveira (Redalyc, 2007, ES).
Commentary: Anderson Moebus Retondar (Sociológica, 2008, ES), Luis Pulido Ritter (Cuadernos Inter.c.a.mbio, 2011, ES).
Wikipedia (ES)

Author (ES)
Publisher (EN)
Worldcat (ES)
Worldcat (EN)

Culturas híbridas. Estrategias para entrar y salir de la modernidad (Spanish, 1990, 19 MB)
Hybrid Cultures: Strategies for Entering and Leaving Modernity (English, new ed., 1995/2005, 19 MB, updated on 2022-9-22)

Egon Friedell: A Cultural History of the Modern Age (1927–) [DE, EN]

Austrian essayist, cabaret performer, and amateur cultural historian Egon Friedell is best known for his brilliant, playful, and stimulating magnum opus, A Cultural History of the Modern Age (1927-31), written under the influence of Oswald Spengler and Jacob Burckhardt. He hoped for a rebirth of Western culture; the Modern Age, which was born from the Great Plague of the fourteenth century, has come to its end. At the eve of World War II, Friedell committed suicide by jumping from a window of his apartment. The German writer Thomas Mann ranked Friedell as one of the greatest stylists of the German language.

A Cultural History of the Modern Age, inspired by H.G. Well’s The Outline of History (1920), is dedicated to Max Reinhardt. Its first volume deals with Renaissance and Reformation, the second Baroque, Enlightenment and the French Revolution, and the third part Romanticism, Liberalism, Imperialism, and Impressionism. Friedell’s view is subjective and intuitive – all history is saga and myth and it is nothing more than a difference in degree between historian and poet. “All the classifications man has ever devised are arbitrary, artificial, and false,” Friedell wrote, “but simple reflection also shows that such classifications are useful, indispensable, and above all unavoidable since they accord with an innate aspect of our thinking.” Following the Hegelian lines of though, Friedell sees his subject basically as a the process of spiritual history. Oswald Spengler’s (The Decline of the West, 1918-1922) pessimism and atheism he rejects. From the English writer, historian, and critic Thomas Carlyle (1795-1881) Friedell adopted the romantic “great man” theory of history, the hero-worship, totally ignoring its ominous connection with the political reality of his day. Every era and every generation has according to Friedell its own hero, a genius, who personifies the Zeitgeist, the spirit of the age. Nietzsche was for Friedell the epitome of the pre-WW I era. (from Petri Liukkonen’s short biography of Friedell)

German edition
Publisher Beck, Munich, 1927, 1928, 1931
This edition, Zweitausendeins, Frankfurt am Main, 2009, 1335 pages

English edition
Translated by Charles Francis Atkinson
With an Introductory Essay by Alfred Polgar
Publisher Alfred A. Knopf, 1930, 1931, 1932
Fifth printing, 1953 (Vol 1); Third printing, 1954 (Vol 2); First printing, 1932 (Vol 3)
353 + 457 + 489 pages
via hz40lat46

Review (of Vol 1, Crane Brinton, Speculum, 1953)
Review (of Vols 1-2, International Journal of Ethics, 1932)
Review (of Vol 2, Eli Siegel, Scribner’s Magazine, 1931)
Review (of Vol 3, Robert Briffault, Scribner’s Magazine, 1932)
Review (of Vol 1, C. Hartley Grattan, The Forum, 1930)
Review (of Vol 1, David Owen, The Saturday Review, 1930)
Review (of Vol 2, The Saturday Review, 1932)
Review (of Vol 3, Alfred M. Frankfurter, The Bookman, 1932)

Wikipedia (DE)

Kulturgeschichte der Neuzeit; Kulturgeschichte Ägyptens (German, 1927-31/2009, at Archive.org)
A Cultural History of the Modern Age, Volume I, Volume II, Volume III (English, trans. Charles Francis Atkinson, 1930-32, no OCR)

Bruno Latour: An Inquiry into Modes of Existence: An Anthropology of the Moderns (2012–) [FR, EN]

“In this new book, Bruno Latour offers answers to questions raised in We Have Never Been Modern, a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his name is now associated—a research protocol that follows the different types of connectors that provide specific truth conditions. These are the connectors that prompt a climate scientist challenged by a captain of industry to appeal to the institution of science, with its army of researchers and mountains of data, rather than to “capital-S Science” as a higher authority. Such modes of extension—or modes of existence, Latour argues here—account for the many differences between law, science, politics, and other domains of knowledge.

Though scientific knowledge corresponds to only one of the many possible modes of existence Latour describes, an unrealistic vision of science has become the arbiter of reality and truth, seducing us into judging all values by a single standard. Latour implores us to recover other modes of existence in order to do justice to the plurality of truth conditions that Moderns have discovered throughout their history. This systematic effort of building a new philosophical anthropology presents a completely different view of what Moderns have been, and provides a new basis for opening diplomatic encounters with other societies at a time when all societies are coping with ecological crisis.”

French edition
Publisher La découverte, Paris, 2012
504 pages

English edition
Translated by Catherine Porter
Publisher Harvard University Press, 2013
ISBN 0674724992, 9780674724990
520 pages

Reviews: Muecke (of FR ed., Los Angeles Review of Books, 2012), Norton (Interstitial, 2013), Hennion (Science, Technology, & Human Values, 2013), Davis (Reviews in Cultural Theory, 2014), Dusek (NDPR, 2014), Hebbing (Diffractions, 2014), Foster (Science and Technology Studies, 2014), Choat (Global Discourse, 2014).
Commentary: Skirbekk (Radical Philosophy, 2015).

Another Turn after ANT: An Interview with Bruno Latour by John Tresch (Social Studies of Science)
An Introduction to AIME by Latour, video, 16 min.

Participatory web platform of the project
Author
Publisher (FR)
Publisher (EN)

Enquête sur les modes d’existence. Une anthropologie des Modernes (French, added on 2013-9-26)
English translation was removed on 2013-9-20 upon request of the publisher.