The New Face of Digital Populism (2011)

9 November 2011, dusan

Populist parties and movements are now a force to be reckoned with in many Western European countries. These groups are known for their opposition to immigration, their ‘anti-establishment’ views and their concern for protecting national culture. Their rise in popularity has gone hand-in-hand with the advent of social media, and they are adept at using new technology to amplify their message, recruit and organise.

The online social media following for many of these parties dwarfs the formal membership, consisting of tens of thousands of sympathisers and supporters. This mélange of virtual and real political activity is the way millions of people — especially young people — relate to politics in the 21st century.

This is the first quantitative investigation into these digital populists, based on over 10,000 survey responses from 12 countries. It includes data on who they are, what they think and what motivates them to shift from virtual to real-world activism. It also provides new insight into how populism — and politics and political engagement more generally — is changing as a result of social media.

The New Face of Digital Populism calls on mainstream politicians to respond and address concerns over immigration and cultural identity without succumbing to xenophobic solutions. People must be encouraged to become actively involved in political and civic life, whatever their political persuasion — it is important to engage and debate forcefully with these parties and their supporters, not shut them out as beyond the pale.

Authors: Jamie Bartlett, Jonathan Birdwell, Mark Littler
Published by Demos, London, 7 November 2011
Demos licence (Open Access. Some rights reserved)
ISBN 978-1-906693-86-2
148 pages

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Peter Lunenfeld: The Secret War Between Downloading and Uploading: Tales of the Computer as Culture Machine (2011)

29 October 2011, dusan

“The computer, writes Peter Lunenfeld, is the twenty-first century’s culture machine. It is a dream device, serving as the mode of production, the means of distribution, and the site of reception. We haven’t quite achieved the flying cars and robot butlers of futurist fantasies, but we do have a machine that can function as a typewriter and a printing press, a paintbrush and a gallery, a piano and a radio, the mail as well as the mail carrier. But, warns Lunenfeld, we should temper our celebration with caution; we are engaged in a secret war between downloading and uploading–between passive consumption and active creation–and the outcome will shape our collective futures.

In The Secret War Between Downloading and Uploading, Lunenfeld makes his case for using digital technologies to shift us from a consumption to a production model. He describes television as “the high fructose corn syrup of the imagination” and worries that it can cause “cultural diabetes”; prescribes mindful downloading, meaningful uploading, and “info-triage” as cures; and offers tips for crafting “bespoke futures” in what he terms the era of “Web n.0″ (interconnectivity to the nth power). He also offers a stand-alone genealogy of digital visionaries, distilling a history of the culture machine that runs from the Patriarchs (Vannevar Bush’s WWII generation) to the Hustlers (Bill Gates and Steve Jobs) to the Searchers (Larry Page and Sergey Brin of Google fame). After half a century of television-conditioned consumption/downloading, Lunenfeld tells us, we now find ourselves with a vast new infrastructure for uploading. We simply need to find the will to make the best of it.”

Publisher MIT Press, 2011
ISBN 0262015471, 9780262015479
219 pages

Review: Jan Baetens (Leonardo Reviews, 2011).

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Publisher

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Christian Fuchs: Foundations of Critical Media and Information Studies (2011)

22 October 2011, dusan

Foundations of Critical Media and Information Studies lays down foundations for the analysis of media, information, and information technology in 21st century information society, as well as introducing the theoretical and empirical tools necessary for the critical study of media and information. Christian Fuchs shows the role classical critical theory can play for analyzing the information society and the information economy, as well as analyzing the role of the media and the information economy in economic development, the new imperialism, and the new economic crisis. The book critically discusses transformations of the Internet (‘web 2.0’), introduces the notion of alternative media as critical media, and shows the critical role media and information technology can play in contemporary society.

This book provides an excellent introduction to the study of media, information technology, and information society, making it a valuable reference tool for both undergraduate and postgraduate students of subjects such as Media Studies, Sociology of Media, Social Theory, and New Media.

Publisher Routledge, 2011
Routledge Advances in Sociology series
ISBN 1136825312, 9781136825316
384 pages

Publisher
Google books

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