e-cart, contemporary art magazine, Nr. 1-8 (2003-2007) [English/Romanian]
Filed under e-zine | Tags: · art, art criticism, contemporary art, east-central europe, romania, southeastern europe

e-cart.ro is a contemporary art magazine in an exclusively electronic format. It is an independent and not-for-profit initiative, founded in 2003 by Raluca Voinea, Simona Nastac, Eduard Constantin and Madalin Geana.
The magazine features exhibition reviews, interviews, artist portfolios, projects presentations, and texts by art critics, curators and artists. It aims at creating a space of encounter between contemporary art in Romania and abroad.
Issue 8, 2007
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Issue 7, March 2006
Art in Eastern Europe
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Issue 6, August 2005
The Venice Biennale; Archives (part I); Exhibitions; Projects
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Issue 5, September 2004
Artnetlab in Maribor, at the International Festival of Computer Arts; Identity and language; Diploma projects; etc.
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Issue 4, May 2004
Art/artists and spaces; Berlin Biennial 3; Vienna days in Bucharest; etc.
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Issue 3, February 2004
Education in/with Art
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Issue 2, November 2003
Istanbul Biennial 2003; Workshop: Real Presence 3 – Belgrad – 2003; etc.
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Issue 1, September 2003
Periferic 6 in Iasi: “Prophetic Corners”; H.arta group; Dan Perjovschi; Diploma projects
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Editors: Raluca Voinea and Simona Nastac
Publisher: e-cart.ro, Bucharest
Mik journal, Nr. 3: Art and Politics: Case-Studies from Eastern Europe (2007) [English/Lithuanian]
Filed under journal, proceedings | Tags: · art, art criticism, art history, censorship, communism, cultural resistance, democracy, eastern europe, political art, politics, post-communism, power, totalitarianism

“The third volume of the Art History & Criticism journal includes articles based on the proceedings of the international conference Art and Politics: Case-Studies from Eastern Europe organised by the Art Institute, Vytautas Magnus University in 26-27 October 2006. Thirty scholars – from Lithuania, Latvia, Estonia, Poland, Czech Republic, Croatia, Romania, France, Germany, the UK, and the USA – presented papers focused upon one aspect of the European history and culture, namely the former Eastern bloc and its Soviet past as well as quotidian post-Soviet reality. Participants of the Kaunas conference discussed one of the most challenging issues of the field – art and politics.” (from Preface)
Meno istorija ir kritika / Art History & Criticism journal
Issue: Menas ir politika: Rytų Europos atvejai / Art and Politics: Case-Studies from Eastern Europe, 2007
Editor-in-chief: Vytautas Levandauskas
Publisher: Vytauto Didžiojo universitetas / Vytautas Magnus University, Kaunas, Lithuania
ISSN 1822-4555
232 pages
conference programme (PDF)
publisher
PDF (updated on 2014-9-1)
Other issues
Jonathan Harris (ed.): Art, Money, Parties: New Institutions in the Political Economy of Contemporary Art (2004)
Filed under book | Tags: · art, art criticism, art history, art system, contemporary art, institutional critique

This collection of essays sets out to identify and examine the kinds of new institutions and social relations that have emerged and begun to shape the global organisation of contemporary visual art over the past twenty-five years. These institutions and relations, contributors argue, are not simply implicated in the exhibition of art – more than that, they have come to play significant roles in commissioning art production as well as mediating its reception in a number of different ways. Given this reorganisation, the set of concepts through which the ‘art world’ can be thought must be radically reviewed. Developments and transformations in, for example, patronage and managerial arrangements – on a global scale – have begun to outrun existing assumptions, categories and accounts. Terms such as ‘institution’, ‘means of production’ and ‘art world’ itself are invoked and critically scrutinised in all of the essays in this book. Some authors address these and other concepts within detailed empirical case studies, others by experimental application of novel theoretical premises.
This collection also includes discussion by those directly involved in the production and selling of contemporary art, reviewing the increasingly internationalised network now ordering contemporary art’s conditions of production, mediation and consumption. This book shows the complex interaction of the socio-political forces that bear on the art world as well as the tensions between those with different interests in art, raising vital questions about the changed relations between art, society and politics.
Publisher Liverpool University Press, 2004
Volume 7 of Tate Liverpool Critical Forum
ISBN 0853237395, 9780853237396
216 pages
PDF (no OCR; updated on 2012-7-18)
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