Samir Amin: Eurocentrism: Modernity, Religion and Democracy: A Critique of Eurocentrism and Culturalism (1988-) [FR, EN, ES]
Filed under book | Tags: · capitalism, critique, culture, democracy, eurocentrism, europe, islam, marxism, metaphysics, modernity, political economy, religion, scholasticism, science, theory

Since its first publication more than twenty years ago, Eurocentrism has become a classic of radical thought. Written by one of the world’s foremost political economists, this original and provocative essay takes on one of the great “ideological deformations” of our time: Eurocentrism. Rejecting the dominant Eurocentric view of world history, which narrowly and incorrectly posits a progression from the Greek and Roman classical world to Christian feudalism and the European capitalist system, Amin presents a sweeping reinterpretation that emphasizes the crucial historical role played by the Arab Islamic world. Throughout the work, Amin addresses a broad set of concerns, ranging from the ideological nature of scholastic metaphysics to the meanings and shortcomings of contemporary Islamic fundamentalism. This second edition contains a new introduction and concluding chapter, both of which make the author’s arguments even more compelling.
French edition
Publisher Anthropos-Economica, Paris, 1988
160 pages
English edition
Translated by Russell Moore and James Membrez
First published in 1989
Publisher Monthly Review Press, New York, 2010
ISBN 1583672079, 9781583672075
288 pages
review (Joshua Moufawad-Paul, Marx & Philosophy Review of Books)
publisher (EN)
google books (EN)
L’eurocentrisme: Critique d’une ideologie (French, 1988)
Eurocentrism: Modernity, Religion and Democracy: A Critique of Eurocentrism and Culturalism, alt link (English, trans. Russell Moore and James Membrez, 2nd edition, 1989/2010)
El eurocentrismo: Crítica de una ideología (Spanish, trans. Rosa Cuminsky de Cendrero, 1989)
Tobias Conradi, Heike Derwanz, Florian Muhle (eds.): Strukturentstehung durch Verflechtung: Akteur-Netzwerk-Theorie(n) und Automatismen (2011) [German]
Filed under book | Tags: · actor-network theory, culture, technology, theory

“Die Akteur-Netzwerk-Theorie stellt mit ihrem Anliegen, die Verflechtungen zwischen Natur, Kultur, Gesellschaft und Technik strikt empirisch zu erforschen, eine Herausforderung für die Sozial- und Kulturwissenschaften dar. Dieser Herausforderung widmet sich der Band aus einer interdisziplinären Perspektive. Ein Hauptinteresse gilt der Frage, wie mit der Akteur-Netzwerk-Theorie die Entstehung ungeplanter Strukturen untersucht werden kann.
Nach einem einleitenden Text von John Law wird eine kritische Diskussion über die überraschende Handlungsfähigkeit nicht-menschlicher Akteure, die Verteilung von Macht in Netzwerken sowie mögliche Akzentverschiebungen und theoretische Anschlüsse an die ANT entfaltet. Die Beiträge gehen dabei der Handlungsmächtigkeit von Viren, Problemen des Regierens nach Hurrikan Katrina oder der Frage einer nicht-modernen Geschichte moderner Medien nach.”
Publisher Wilhelm Fink, Munich, 2011
ISBN 3770552202, 9783770552207
341 pages
Louis Armand, Jane Lewty, Andrew Mitchell (eds.): Pornotopias: Image, Desire, Apocalypse (2008)
Filed under book | Tags: · art, body, gender, image, masochism, pornography, sex, sexuality, theory

Bodily existence is an existence lived in constant fascination with a world beyond one’s reach. Embodiment, desire, metaphor. To exist on the verge of nonexistence. In the headlong pursuit of the real, of the other. Of the base materiality of the world, of religious hypothesis, of absolute relativity. Every utopia is a pornography, a recrudescence and pathological disillusionment, a lure into the vortex–paradoxical annulment of pure reason, compulsion, repetition, consumption.
A fact of bodily existence is to know that the body is our most complex and multi-faceted machine in a world of incessant technological progress. The body is a marvel of engineering; it is the outward face of primal nature; it is a disgusting vessel in which to house the soul; it is a primitive device, fragile and disposable. Bodies are re-produced, experimented upon to the limits of their tolerance, dissected and debated to every last cell, mended, prosthetically enhanced, moralised, abused and adored. The interface with the world we live in means that the body is always laid open to scrutiny without ever simply constituting some thing within our grasp: it is the site where violence and metaphysics interchange, technicity and catatonia, the sublime and the grotesque.
The body cannot be neutral or indifferent. Its design is such that it must respond to both exterior challenge and interior impulse. Our means of survival, the sex act, galvanizes the body into a unique state of existence, which, though transient, becomes the essence of being; the concentration of an idea, the heightening of sense, the ultimate dissolution.
How to write this purposeful transformation? How to write this instantaneous, ephemeral shattering of perception? This is the task of pornography. Our project will present the body in its most extreme of forms and behaviour, all of which demonstrate the human attempt to satisfy, and solve, the oft-inchoate needs of our psychology and physicality. We seek papers which deal with pornography as condition, symptom, addiction, spectacle, product, simulacrum. Above all as a fundamentalism embedded in the very structures of representation, knowledge, non-knowledge and the unpresentable.
Contributors include Georges Bataille, Johannes Birringer, Karmen MacKendrick, Benjamin H. Bratton, Lara Portela, Louis Armand, Stewart Home, Jane Lewty, Thierry Tillier, Ruark Lewis, Malwina Zaremba, Darren Tofts, Bonita Rhoads, Stuart Kendall, Ian Haig, Jena Jolissaint, Pierre Daguin, Vadim Erent, Florian Cramer, Beth Lazroe, Andar Nunes.
Publisher Faculty of Philosophy of the Charles University, Prague, December 2008
Litteraria Pragensia Books series
ISBN 9708073082918
272 pages
PDF (69 MB, updated on 2013-5-11)
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