Scapegoat: Architecture/Landscape/Political Economy journal, No. 2: Materialism, No. 3: Realism (2011-2012)

“This issue arose out of a series of reflections on the contemporary meaning of realism in the representational strategies of the design disciplines. Realism, in this context, departs from the nineteenth century preoccupation with presenting environments and subjects typically excluded from pictorial representation. Today, while the ‘realistic’ is favoured and celebrated in student and professional renderings, it seems closer to a contemporary naturalism, at times verging on mannerism: for instance, impossibly lit buildings at dusk, exaggerated perspectives which amplify the speed toward a vanishing point, or, at its most intense, landscapes populated by ghostly figures simultaneously performing every possible cliché of ‘leisure’. While the ‘realistic’ is a recurring theme within both design education and professions, there seems to be a lack of realism. This issue attempts to set up a conversation between both terms by bringing together a series of reflections and practices hinged on both contemporary and historical usages of realism, situating conflict­ng accounts of its meaning side by side.” (from the Editorial Note)

Issue 3: Realism
Summer 2012
Issue Editors: Adrian Blackwell, Adam Bobbette
42 pages

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“Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the renewed focus on ‘performance’ and the rehabilitation of functionalism, in the centrality of ‘material’ as an expressive layer of tectonics, and through the import of non-human actors into discussions about spatial design. Each of the above invokes matter as its base.” (from the Editorial Note)

Issue 2: Materialism
Winter 2011
Issue Editors: Adam Bobbette, Jane Hutton
Publisher Scapegoat Publications, Toronto
40 pages

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authors
Previous two issues

Fredric Jameson: The Geopolitical Aesthetic: Cinema and Space in the World System (1992)

Taking contemporary films from the United States, Russia, Taiwan, France, and the Philippines, The Geopolitical Aesthetic offers a reading of some of the most interesting films of the last decade and a general account of filmic representation in the postmodern world. Fredric Jameson poses some essential questions: How does representation function in contemporary film? How does contemporary cinema represent an ever more complex and international social reality? Jameson’s sophisticated and theoretically informed readings stress the ways in which disparate films—for example, Godard’s Passion, Pakula’s All the President’s Men, Yang’s The Terrorizer, Tahimik’s The Perfumed Nightmare, Tarkovsky’s Andrei Roublev—confront similar problems of representation. The solutions vary widely but the drive remains the same—the desire to find adequate allegories for our social existence.

The Geopolitical Aesthetic, a refinement and development of the arguments put forward in Jameson’s seminal work The Political Unconscious, is crucial reading for everyone interested in both film analysis and cultural studies.

Publisher Indiana University Press, 1992
Perspectives Series
ISBN 0253330939, 9780253330932
220 pages

publisher
google books

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Alexander Bard, Jan Söderqvist: The Futurica Trilogy (2012)

“In the late 1990’s, Swedish social theorists Alexander Bard and Jan Söderqvist started working on a radical new theory, since referred to as The Netocracy Hypothesis. At this early stage Bard & Söderqvist foresaw that the control of the internet would be the subject of the main power struggle for the next century; an outright war between a brand new rising elite (the netocrats) and an established but rapidly declining elite (the bourgeoisie). They made predictions against the tide in the early years of the new millennium (and cleverly foresaw both the dot com crash and September 11), and have since then been proven right in virtually every aspect and even in the most minute of details. Not only did Bard & Söderqvist foresee revolutionary innovations such as Google, Facebook, Al-Qaida and Wikileaks, they also went deeper and looked beyond where any other observer has been or managed to go, into the very power struggle of the on-going revolution. Now, for the first time, all three of Bard & Söderqvist’s groundbreaking works have been collected and released as one compact set, under the title The Futurica Trilogy. The first book is The Netocrats (explaining how the internet creates a new global upper class which fights and destroys the old stuggling power structure); the second book is The Global Empire (dealing with the worldview of the netocrats and how it radically differs from any previous ideology in history); and the third book is The Body Machines (discussing how the idea of what it means to be human in an interactive world radically differs from any previous concept of human existence).”

Originally published in Swedish in 3 volumes: Nätokraterna (2000), Det globala imperiet (2002), and Kroppsmaskinerna (2009).
Translated by Neil Smith
Publisher Stockholm Text, 2012
ISBN 9789187173035
740 pages

video interview with the authors (2008)

Wikipedia

EPUB