Charlie Gere: Digital Culture. 2nd ed. (2009)
Filed under book | Tags: · arpanet, counterculture, cybernetics, cyberpunk, digital culture, facebook, fluxus, neoliberalism, technology
From our bank accounts to supermarket checkouts to the movies we watch, strings of ones and zeroes suffuse our world. Digital technology has defined modern society in numerous ways, and the vibrant digital culture that has now resulted is the subject of Charlie Gere’s engaging volume.
In this revised and expanded second edition, taking account of new developments such as Facebook and the iPhone, Charlie Gere charts in detail the history of digital culture, as marked by responses to digital technology in art, music, design, film, literature and other areas. After tracing the historical development of digital culture, Gere argues that it is actually neither radically new nor technologically driven: digital culture has its roots in the eighteenth century and the digital mediascape we swim in today was originally inspired by informational needs arising from industrial capitalism, contemporary warfare and counter-cultural experimentation, among other social changes.
A timely and cutting-edge investigation of our contemporary social infrastructures, Digital Culture is essential reading for all those concerned about the ever-changing future of our Digital Age.
Edition 2
Publisher Reaktion Books, 2009
ISBN 1861893884, 9781861893888
240 pages
PDF (updated on 2012-7-24)
Comment (0)David Norman Rodowick: Reading the Figural, or, Philosophy After the New Media (2001)
Filed under book | Tags: · cinema, digital culture, film theory, new media, philosophy, philosophy of history, postmodernism, poststructuralism, semiotics, utopia
In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of “the figural” to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick—one of the foremost film theorists writing today—contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated.
To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control.
Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book.
Publisher Duke University Press, 2001
Post-Contemporary Interventions series
ISBN 0822327228, 9780822327226
276 pages
PDF (updated on 2012-7-14)
Comment (1)Aden Evens: Sound Ideas: Music, Machines, and Experience (2005)
Filed under book | Tags: · digital culture, music, sound, sound recording, sound synthesis, technology
As record collectors and file swappers know, the experience of music—making it, marketing it, listening to it—relies heavily on technology. From the viola that amplifies the vibrations of a string to the CD player that turns digital bits into varying voltage, music and technology are deeply intertwined.
What was gained—or lost—when compact discs replaced vinyl as the mass-market medium? What unique creative input does the musician bring to the music, and what contribution is made by the instrument? Do digital synthesizers offer unlimited range of sonic potential, or do their push-button interfaces and acoustical models lead to cookie-cutter productions? Through this interrogation of sound and technology, Aden Evens provides an acute consideration of how music becomes sensible, advancing original variations on the themes of creativity and habit, analog and digital technologies, and improvisation and repetition.
Sound Ideas reinvents the philosophy of music in a way that encompasses traditional aspects of musicology, avant-garde explorations of music’s relation to noise and silence, and the consequences of digitization.
Published by University of Minnesota Press, 2005
ISBN 081664537X, 9780816645374
203 pages
PDF (updated on 2012-8-3)
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