Leshu Torchin: Creating the Witness: Documenting Genocide on Film, Video, and the Internet (2012)

“Since the beginning of the conflict in 2003, more than 300,000 lives have been lost in Darfur. Players of the video game Darfur Is Dying learn this sobering fact and more as they endeavor to ensure the survival of a virtual refugee camp. The video game not only puts players in the position of a struggling refugee, it shows them how they can take action in the real world.

Creating the Witness examines the role of film and the Internet in creating virtual witnesses to genocide over the past one hundred years. The book asks, how do visual media work to produce witnesses—audiences who are drawn into action? The argument is a detailed critique of the notion that there is a seamless trajectory from observing an atrocity to acting in order to intervene. According to Leshu Torchin, it is not enough to have a camera; images of genocide require an ideological framework to reinforce the messages the images are meant to convey. Torchin presents wide-ranging examples of witnessing and genocide, including the Armenian genocide, the Holocaust (engaging film as witness in the context of the Nuremburg trials), and the international human rights organization WITNESS and its sustained efforts to use video to publicize human rights advocacy and compel action.

From a historical and comparative approach, Torchin’s broad survey of media and the social practices around it investigates the development of popular understandings of genocide to achieve recognition and response—both political and judicial—ultimately calling on viewers to act on behalf of human rights.”

Publisher University of Minnesota Press, 2012
Visible Evidence series, Volume 26
ISBN 0816676224, 9780816676224
296 pages

Author’s discussion of the book
Publisher

PDF (updated on 2021-1-24)

Mikkel Bolt: The Suicide of the Avant-Garde (2009) [Danish]

“A book – essay, cultural intervention, and potential debate-cooker – whose aim is to outline the historical avant-garde’s road to extinction and to ponder on the loss of grander political ambitions in innovative art today.” (Jesper Olsson)

En kritisk analyse – med udgangspunkt i surrealismen, George Bataille (Acéphale), Situationistisk Internationale og mellemkrigstidens europæiske kommunistpartier – af avantgardens selvforståelse. Mikkel Bolt undersøger også, hvordan idéen om revolution tager sig ud aktuelt.

Avantgardens selvmord
Publisher 28/6, Copenhagen, 2009
ISBN 9788792529039
109 pages
via forlaget286

Reviews: Jesper Olsson (Nordic Journal of Aesthetics, 2010-2011, EN), Bendik Wold (K&K, 2010, DK).

Publisher

PDF

Sam Mbah, I.E. Igariwey: African Anarchism: The History of A Movement (1997)

The first book ever written on this subject, African Anarchism was co-written by Sam Mbah and fellow Nigerian, I.E. Igariway. After dealing with questions such as what anarchism is and isn’t, this groundbreaking book introduces the reader to anarchistic elements in traditional African societies, with a focus on Nigeria. It also examines the influence of anarchism on African national liberation struggles, and the failure of State Socialist governments in Africa. The book addresses the ongoing social, economic and political crises caused by colonialism in Africa. The authors end by considering the future prospects and challenges for anarchism in Africa.

Publisher See Sharp Press, Tucson, Arizona, 1997
ISBN 1884365051, 9781884365058
119 pages
via libcom.org

interview with Sam Mbah (March 2012)
Sam Mbah’s blog

PDF
PDF (2001 Edition from The Anarchist Library, multiple formats)