David F. Kuhns: German Expressionist Theatre: The Actor and the Stage (1997)

“German Expressionist Theatre considers the powerfully stylized, antirealistic styles of symbolic acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. The examination of portions of previously untranslated Expressionist scripts and actor memoirs allows for an unprecedented focus on description and analysis of the acting itself.

– Examines German Expressionist theatre from a performance point of view
– Contains previously untranslated portions of Expressionist scripts and actor memoirs
– Looks in detail at key works and productions”

Publisher Cambridge University Press, 1997
ISBN 0521583403, 9780521583404
311 pages
via Charles Turner

review (Anne M. Turner, Journal of Dramatic Theory and Criticism)

Publisher

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Karel Teige: O humoru, clownech a dadaistech, I-II (1928-30/2004) [Czech]

Dvousvazková kultovní práce vůdčího teoretika české avantgardy je unikátní studií o dadaismu.

První svazek obsahuje kapitoly “pojednávající o humoru, o světském a neliterárním dadaismu a o poezii cirkusu, music-hallu a lunaparku”. Druhý svazek “kreslí svět moderní básně, svět, který voní; podává genezi dadaismu přehledem vývoje od Baudelairea až k Tzarovi, charakteristiku hnutí dada i surrealistické revoluce a v závěru pokouší se formulovat teorii a estetiku nové poezie pro všecky smysly, podloženou fakty korespondence a analogie mezi jednotlivými obory ‘umění’..”, to, co “je jádrem nové estetické teorie, která se zve poetismem”. S doslovem Jiřího Brabce.

O humoru, clownech a dadaistech, I: Svět, který se směje
Originally published by Odeon, Prague, 1928, 112 pp
Publisher Akropolis, Prague, 2004
ISBN 8073040425
114 pages

O humoru, clownech a dadaistech, II: Svět, který voní
Originally published by Odeon, Prague, 1930, 240 pp
Publisher Akropolis, Prague, 2004
ISBN 8073040530, 9788073040536
244 pages

review (Vol. 1, Andrea Jochmanová, Literární noviny, in Czech)
review (Vol. 2, Jan Nejedlý, Čro Vltava, in Czech)

publisher

PDF (Vol. I)
PDF (Vol. II)

James M. Harding, John Rouse (eds.): Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (2006)

“Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first—and second—wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics—including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi—suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms.

Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history.”

Publisher University of Michigan Press, 2006
Theater: Theory/Text/Performance series
ISBN 0472069314, 9780472099313
312 pages

Publisher

PDF (updated on 2017-7-11)