Anna Everett, John Thornton Caldwell (eds.): New Media: Theories and Practices of Digitextuality (2003)
Filed under book | Tags: · aesthetics, art, cinema, computer animation, cyberpunk, cyborg, digital culture, digital media, interface, internet, media theory, new media, posthuman, programming, television, virtual reality
The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of technologies like DVDs, MP3s and the Internet has freed the public from what we used to understand as “mass media.” In the face of such seismic shifts and ruptures, the theoretical and pedagogical foundations of film and TV studies are being shaken to their core. New Media demands a necessary rethinking of the field. Writing from a range of disciplines and perspectives, the scholars here outline new theses and conceptual frameworks capable of engaging the numerous facets of emergent digital technology.
Publisher Routledge, 2003
AFI Film Readers series
ISBN 041593995X, 9780415939959
274 pages
PDF (updated on 2012-7-31)
Comment (0)Matthew Fuller: Behind the Blip: Essays on the Culture of Software (2003)
Filed under book | Tags: · free software, interface, internet, search, software, software art, software studies
A far-reaching and strikingly original collection of essays on the “culture of software” by new-media critic Matthew Fuller. Behind the Blip looks at the many ways in which the ostensibly neutral userinterfaces, search engines, “intelligent agents,” and word processorsthat are now part of our everyday life are actively reshaping the waywe look at and interact with the world.
Publisher Autonomedia, 2003
Anti-copyright for non-commercial publication
ISBN 1570271399, 9781570271397
165 pages
PDF (updated on 2017-3-14)
Comment (0)Christa Sommerer & Laurent Mignonneau. Interactive Art Research (2009)
Filed under book | Tags: · algorithm, artificial life, evolution, interactivity, interface, internet, media art, nanotechnology
Christa Sommerer and Laurent Mignonneau are two of the most innovative and internationally renowned media artists and researchers. Their work has been called “epoch-making” (Toshiharu Itoh, NTT-ICC Museum, Tokyo) for developing natural and intuitive interfaces and for applying scientific principles such as artificial life, complexity, generative systems and nanotechnologies to their innovative interface design.
This monograph represents a comprehensive overview of Sommerer and Mignonneau’s art and research. In addition to providing detailed project descriptions of each interactive artwork, it includes essays and articles by highly recognized media scholars and theoreticians who bring the interactive artworks of Sommerer and Mignonneau in an art and media art history perspective.
Contributions from Roy Ascott, Anne Marie Duguet, Oliver Grau, Erkki Huhtamo, Machiko Kusahara, Hannes Leopoldseder, Christine Schopf and Peter Wiebel, among others
Editors: Gerfried Stocker, Christa Sommerer, Laurent Mignonneau
Publisher Springer, 2009
ISBN 3211990151, 9783211990155
Length 200 pages