Theodor W. Adorno: The Culture Industry: Selected Essays on Mass Culture (2001)

“The creation of the Frankfurt School of critical theory in the 1920s saw the birth of some of the most exciting and challenging writings of the twentieth century. It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalleled insights into Adorno’s thoughts on culture. He argued that the culture industry commodified and standardized all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused of everything from overreaction to deranged hysteria by his many detractors. In today’s world, where even the least cynical of consumers is aware of the influence of the media, Adorno’s work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture.”

Editor J. M. Bernstein
Publisher Routledge, 2001
ISBN 0415253802, 9780415253802
210 pages

Key terms: fascist, mass music, virme, culture industry, mass media, Dialectic of Enlightenment, mass culture, ego ideal, Adorno, acmally, critical theory, jazz, reified, psychoanalysis, astrology, Simone Weil, Freud, Erich Fromm, Gillian Rose

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PDF (updated on 2013-6-11)

Jacques Rancière: The Politics of Aesthetics: The Distribution of the Sensible (2000-)

“The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming “aesthetics” from the narrow confines it is often reduced to. Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible.

Presented as a set of inter-linked interviews, The Politics of Aesthetics provides the most comprehensive introduction to Rancière’s work to date, ranging across the history of art and politics from the Greek polis to the aesthetic revolution of the modern age.”

First published as Le partage du sensible: esthétique et politique, La Fabrique, 2000.

Translated with an introduction by Gabriel Rockhill
With an afterword by Slavoj Žižek
Published by Continuum, 2004
ISBN 0826489540, 9780826489548
116 pages

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PDF (updated on 2024-2-20)

Victoria Vesna (ed.): Database Aesthetics: Art in the Age of Information Overflow (2007)

Discovering the role of data in creating a new way of experiencing—and making—art.

Database Aesthetics examines the database as cultural and aesthetic form, explaining how artists have participated in network culture by creating data art. The essays in this collection look at how an aesthetic emerges when artists use the vast amounts of available information as their medium. Here, the ways information is ordered and organized become artistic choices, and artists have an essential role in influencing and critiquing the digitization of daily life.

“Victoria Vesna’s edited anthology Database Aesthetics: Art in the Age of Information Overflow provides a compelling collection of 16 essays that engage the shifting aesthetics of computational and interactive art forms. Database Aesthetics supplies the reader with an absorbing and diverse cross-section of stylistic, analytical and theoretical examinations of the meaning of the database to interactive (and, in some cases, traditional) media. Furthermore, it showcases several practical instances of artworks configured using databases and provides the reader with valuable insights from the artists into the design, implementation and execution of these projects. It offers a number of intellectually robust, rewarding and thought-provoking approaches for those already immersed in digital culture and its critical discourses. This book serves as a timely and valuable resource for both the classroom and beyond.” —Discourse

Contributors: Sharon Daniel, Steve Deitz, Lynn Hershman Leeson, George Legrady, Eduardo Kac, Norman Klein, John Klima, Lev Manovich, Robert F. Nideffer, Nancy Paterson, Christiane Paul, Marko Peljhan, Warren Sack, Bill Seaman, Grahame Weinbren.

Published by University Of Minnesota Press, 2007
ISBN 0816641196, 9780816641192
336 pages

publisher
google books

PDF (updated on 2011-8-6)